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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Mothlight
Features, Music, PremieresFebruary 17, 2017<February 17, 2017

Exclusive Premiere: The Dazing Dream Pop Reverie of Mothlight’s “Laika”

xMeKate © Sharlene Durfey
Debut, Features, Music, PremieresFebruary 16, 2017<February 28, 2017

Exclusive Premiere: Love, Loss, and ‘Expectation’ on XMeKate’s Stunning Debut EP

Beach Tiger © Lindsey Harris Photography
Columns, Music, Today's SongFebruary 16, 2017<February 16, 2017

Today’s Song: The Deep, Doting Vibes of Beach Tiger’s Heartfelt “Dead of Night”

Jackson Boone © 2017
Features, Music, PremieresFebruary 15, 2017<February 15, 2017

Exclusive Premiere: The Spiritual Seduction of Jackson Boone’s “Mystic Winds”

The Bourgeois © Nick Whitaker
Features, Music, PremieresFebruary 14, 2017<August 15, 2018

Exclusive Premiere: The Bourgeois Are Numb and Restless on “An Infinite Void”

Mother Mother © Raina and Wilson photography
Features, Music, Music Videos, PremieresFebruary 10, 2017<February 10, 2017

Exclusive Premiere: The Gut-Wrenching Push and Pull of Mother Mother’s “Baby Boy”

Raised in the Wild - 1 AMVRKA
Features, Interviews, Music, Music Videos, PremieresFebruary 10, 2017<February 10, 2017

Exclusive Premiere: 1 AMVRKA’s Debut “Raised in the Wild” Is an Anthemic Rallying Cry

Rousseau © 2017
Debut, Features, Music, PremieresFebruary 9, 2017<February 14, 2017

Exclusive Premiere: Rousseau’s Haunting “Desert Road” and the Raw Pain of Change

Gianni Paci © 2017
Features, Music, Music Videos, PremieresFebruary 8, 2017<February 8, 2017

Exclusive Premiere: The Raw, Intimate Duality of Gianni Paci’s “Tonight’s The Night”

All Things Blue © Erika Mugglin
Features, Music, PremieresFebruary 7, 2017<February 7, 2017

Exclusive Premiere: The Intimate Staying Power of All Things Blue’s “Milk and Honey”

Souvenir Driver © Heather Boyd
Features, Music, Our Take, ReviewsFebruary 2, 2017<February 2, 2017

Our Take: Souvenir Driver Present the 4 Stages of Grief on Powerful Anti-Trump EP

Emma White © 2017
Features, Music, PremieresFebruary 2, 2017<February 8, 2017

Exclusive Premiere: Emma White Brings an Intimate, Fresh Voice to Country-Pop

Grumpus © 2017
Features, Music, PremieresJanuary 31, 2017<January 31, 2017

Exclusive Premiere: Grumpus’ “Divides” Takes a Moment for Real Reflection

Garrett Pierce © 2017
Features, Music, PremieresJanuary 30, 2017<January 30, 2017

Exclusive Premiere: A Stirring Empathy in Garrett Pierce’s “Get Me Out of This Place”

Fawns of Love (L-R): Jenny Andreotti, Joseph Andreotti © Joseph Andreotti
Features, Music, PremieresJanuary 27, 2017<January 27, 2017

Exclusive Premiere: Fawns of Love Capture Turmoil on Melancholy “Silly Boy”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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