• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Wicked Man isYonatan Tietz (vocals/guitar), Justin Kohlberg (guitar, bass), Andrew Kunz (keyboards,vocals) and Max Denny (drums)
Music, Premieres, ReviewsNovember 3, 2015<November 3, 2015

Exclusive Premiere: Daydreams and Doubt on Wicked Man’s “Maybe Later”

Skylar Grey © Tyler Shields
Features, Interviews, MusicNovember 2, 2015<November 3, 2015

Doing It Her Way: How to Succeed in Music ft. Skylar Grey

The Slow Show © Percy Dean
Debut, Features, Interviews, Music, Our Take, ReviewsOctober 30, 2015<October 30, 2015

The Raw Humanity of The Slow Show’s “White Water”

Columns, Music, Today's SongOctober 26, 2015<October 26, 2015

Today’s Song: The Modern Timelessness of GEMS’ “w/o u”

The Blue Stones
Music, Our Take, ReviewsOctober 20, 2015<October 20, 2015

Our Take: The Gravitational Flux of The Blue Stones’ “Black Holes”

Greg Holden © Myriam Santos
Features, Interviews, MusicOctober 20, 2015<October 20, 2015

Integrity and Intimacy: A Glass with Greg Holden

Western Scene © 2015
Music, Premieres, ReviewsOctober 20, 2015<October 18, 2015

Exclusive Premiere: Western Scene Gives Us Something to “Believe” In

The Rare Occasions (from left to right): Luke Imbusch, Peter Stone, Brian McLaughlin, and Jeremy Cohen // credit: Jonas Meyer
Music, Premieres, ReviewsOctober 12, 2015<October 13, 2015

Exclusive Premiere: Chaotic Bliss on The Rare Occasions’ “An Actuary Retires”

"Love Me" - The 1975
Features, Music, Reviews, This Just InOctober 8, 2015<March 7, 2017

The 1975 Get Funky with “Love Me”

The Struts
Debut, Features, Interviews, MusicOctober 5, 2015<February 1, 2023

Success Smells Like… A Conversation With The Struts

Atwood in Focus: New Music, 10/2/2015
NewsOctober 2, 2015<October 2, 2015

Atwood In Focus: October 2nd New Music

Screenshot from "Doing The Right Thing" by Daughter
Columns, Music, Music Videos, Today's SongOctober 1, 2015<October 1, 2015

Today’s Song: Daughter Lament Life and Loss On “Doing The Right Thing”

Where Do You Run [EP] - The Score
Debut, Features, Interviews, MusicSeptember 30, 2015<July 4, 2024

A Guitar, A Keyboard, and A Computer in a Bedroom: A Conversation With The Score

Boston Calling Fall 2015
Features, Festival, Music, News, PreviewsSeptember 24, 2015<September 24, 2015

(Y)Our Guide to Boston Calling Music Festival, Fall 2015

Dustin Tebbutt
Features, Interviews, MusicSeptember 22, 2015<September 22, 2015

Breaking From The Breach: A Conversation with Dustin Tebbutt

Posts pagination
1 … 302 303 304 305 306 … 312

Recent Posts

  • Interview: Dexter and the Moonrocks Let It All in on Debut Album ‘Friends That I Don’t Like’ October 2, 2026
  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services