• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Screenshot from Selahphonic's "Ghosts of 1999" music video
Columns, Features, Music, Today's SongMay 20, 2016<May 20, 2016

Today’s Song: Selahphonic’s Infectious “Ghosts of 1999” Lives with Loss

Alexis Babini press
Features, Music, PremieresMay 18, 2016<May 18, 2016

Exclusive Premiere: “Dammit Joanna” exclaims Alexis Babini

"I'm Good" single art - CAPPA
Columns, Music, Today's SongMay 17, 2016<December 15, 2017

Today’s Song: CAPPA Preaches Self-Empowerment on “I’m Good”

"Talk Too Much" single art - COIN
Columns, Music, Today's SongMay 11, 2016<November 11, 2016

Today’s Song: COIN’s “Talk Too Much” Captures Summer Spirit

Violet Van Soest 2016
Debut, Features, Interviews, Music, PremieresMay 9, 2016<May 9, 2016

Exclusive Premiere: “Violet” – Van Soest’s Personal Call-to-Action

Screenshot from Radiohead's "Daydreaming" music video
Features, Music, Music Videos, Our Take, Reviews, This Just InMay 6, 2016<March 7, 2017

Our Take: Radiohead’s “Daydreaming” Twists the Ordinary into Extraordinary

Chasing Waves - Vista Kicks
Debut, Features, Music, Our Take, ReviewsMay 5, 2016<May 13, 2016

Our Take: The Controlled Chaos of Vista Kicks

MOON is Chelsea Davis (vocals/bass) and Dan Silver (guitar/synth).
Debut, Features, Music, Premieres, ReviewsMay 3, 2016<May 3, 2016

Exclusive Premiere: The Energy and Urgency of MOON’s “I Got A Fever”

Screenshot from Anteros' "Breakfast"
Features, Interviews, Music, Music VideosApril 29, 2016<May 7, 2016

Sweet, Savory, and Deceptive: A “Breakfast” Interview with Anteros

Undone EP - Ella on the Run
Features, Music, Our Take, ReviewsApril 25, 2016<April 27, 2016

Our Take: Ella on the Run Explores Space on “Undone” EP

The Northcoast
Features, Interviews, Music, Premieres, ReviewsApril 18, 2016<May 8, 2016

Exclusive Premiere: Limitless Possibility as The Northcoast “Reach into the Stars”

Take It From Me - KONGOS
Columns, Music, Today's SongApril 16, 2016<April 26, 2016

Today’s Song: “Take It From Me,” KONGOS’ Unrelenting Return

"Fever" promo shot by Agelast
Columns, Debut, Features, Music, Music Videos, Today's SongApril 14, 2016<April 15, 2016

Today’s Song: The Heat of Agelast’s “Fever”

Denny - Press - March 2016
Columns, Features, Music, Today's SongApril 5, 2016<December 19, 2017

Today’s Song: DENNY Break the Mold with “Bloom”

The Struts © Mitchell Mosk
Concerts, Debut, Features, Music, ReviewsMarch 30, 2016<May 8, 2016

Review: Everybody Wants The Struts (and You Can Too!)

Posts pagination
1 … 302 303 304 305 306 … 314

Recent Posts

  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
  • The Listener Knows Something the Singer Doesn’t: The Making of Darren Hayman’s ‘I’m Your Team’ November 10, 2026
  • The Rage That Raised Us: Atreyu’s ‘A Death-Grip on Yesterday’ at 20 November 10, 2026
  • “The Audio Equivalent of a Bosch Painting”: Erotic Secrets of Pompeii Dance Through Modern Madness on “Crowstepper,” a Delirious Art-Rock Séance November 10, 2026
  • “Shapeshifting Through the Voice”: Witness Nnux’s ‘Metamorfosis’ into a Master Electronic Composer November 9, 2026
  • “Why Stay in a Narrow Lane?”: Toronto’s TAURO Revel in the Sweet Sting of “Crüel to Be Distant,” a Lush, Soulful Indie Pop Reverie November 9, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services