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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Freshcakes - Banji
Debut, Features, Interviews, Music, Track-by-TrackMarch 21, 2023<April 30, 2023

Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’

Joesef © Nathan Dunphy
Debut, Features, Interviews, Music, Track-by-TrackMarch 20, 2023<April 30, 2023

“If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’

Meadowlark © 2023
Music, Music Videos, PremieresMarch 20, 2023<April 30, 2023

Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached

Atwood Magazine's Editor's Picks 92
Columns, Editor's Picks, Features, MusicMarch 17, 2023<March 17, 2023

Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse!

Hannah Jadagu © Axel Kabundji
Debut, Interviews, MusicMarch 16, 2023<April 30, 2023

“I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu

Pam Risourié © Cédric Tessonneau
Debut, Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album

'Inner Child Work Pt. 2' EP art - Alicia Blue
Features, Interviews, Music, Track-by-TrackMarch 16, 2023<April 30, 2023

Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’

JOSEPH © Shervin Lainez
Music, Reviews, This Just InMarch 16, 2023<April 30, 2023

“Feeling good doesn’t feel bad anymore”: JOSEPH Shine Like “The Sun” in Radiant & Empowering New Single

Bertie Newman © Anna Lowry
Columns, Music, Today's SongMarch 15, 2023<April 30, 2023

London’s Bertie Newman Spills His Worried Mind in “Wasted on Me,” an Achingly Intimate Indie Folk Confessional

Tonia © 2023
Debut, Features, Interviews, Music, Track-by-TrackMarch 15, 2023<April 30, 2023

“Dreamy, Cathartic, & Truthful”: Liverpool’s Tonia Stuns & Stirs on Soul-Soaked Debut EP ‘Afloat’

Bedroom © Alex Berger
Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: Bedroom Finds a Beautiful Home in “Better Friends,” His Brutally Honest & Achingly Raw New Single

A Different Kitchen © Felix Jordan
Debut, Music, PremieresMarch 15, 2023<April 30, 2023

Premiere: A Different Kitchen Serve Up Alternative Catharsis on Seismic Debut Single “I’m Fine I’m Fine”

Scott Matthews © Adam Bulley
Music, PremieresMarch 14, 2023<April 30, 2023

Premiere: The Fragile, Breathtaking Raw Beauty of Scott Matthews’ “My Selfless Moon” (Acoustic)

Royel Otis © Alex Wall
Columns, Music, Today's SongMarch 13, 2023<April 30, 2023

Today’s Song: “Sofa Kings” Is Royel Otis’ Gorgeous, Euphoric & Sunny Ode to Couch Royalty

Tommy Ashby © Matthew Bowen
Debut, Features, Interviews, Music, Track-by-TrackMarch 13, 2023<April 30, 2023

“Music Connects People”: Indie Folk Artist Tommy Ashby Shines on ‘Lamplighter,’ His Breathtaking Debut Album

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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