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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

BLOODMOON © James Adams
Debut, Features, Interviews, MusicOctober 17, 2022<January 12, 2023

Interview: Dougy Mandagi Makes a Fresh Start with BLOODMOON’s Breathtaking Debut EP, ‘Giving Up Air’

Tribe Friday © Miranda Fredricksson
Debut, Features, Interviews, Music, Track-by-TrackOctober 14, 2022<October 14, 2022

‘bubblegum emo’: Sweden’s Tribe Friday Debut with Style, Drive, & Raw Passion

Hazlett © Olof Grind
Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022

“Nostalgic Ballroom Folk”: Hazlett Delves into His Hauntingly Hushed & Achingly Intimate ‘Oh Downhill’ EP

Constant Follower © Jannica Honey
Debut, Features, Interviews, Music, Track-by-TrackOctober 13, 2022<October 13, 2022

Space, Dreams, & Memory: Scotland’s Constant Follower Debut with ‘Neither Is, Nor Ever Was,’ a Hauntingly Beautiful Record Capturing Life’s Magic Spark

Cost of Giving - Ari Lindo © Tom White
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022

Nostalgia, Impermanence, & Solace: Ari Lindo Embraces Stillness in ‘Cost of Giving,’ a Sweetly Stirring Debut

Bolinas © Amanda Laferriere
Debut, Features, Interviews, Music, Track-by-TrackOctober 12, 2022<October 12, 2022

Track-by-Track: Bolinas’ Debut Album Is ‘Heavy Easy Listening’ At Its Finest

Atwood Magazine's Editors Picks 76
Columns, Editor's Picks, Features, MusicOctober 11, 2022<March 11, 2023

Editor’s Picks 76: Handsome Ghost, Black Honey, Field Guide, Jasmine Jethwa, Girl Scout, & The Drives!

Human Barbie © 2022
Features, Music, Premieres, Track-by-TrackOctober 11, 2022<October 11, 2022

“Trapped in a photograph…”: Human Barbie Embraces the Gloom on Hauntingly Intimate ‘no worries’ EP

Kuri © Camille Candia
Artist to Watch, Columns, Music, PremieresOctober 11, 2022<October 11, 2022

Artist to Watch: Kuri Soothes & Stirs the Soul in “Modern Mayhem,” an Intimate Song of High School, Healing, & Teenage Turmoil

Sadurday © Colleen McHugh
Music, PremieresOctober 11, 2022<October 11, 2022

Premiere: Grunge Duo Sadurday Dwell in the Depths of Vice on Feverish New Single “Sideways”

Swan Upon Leda - Hozier
Columns, Music, Reviews, Today's SongOctober 8, 2022<October 26, 2022

Hozier’s New Song “Swan Upon Leda” Is a Hauntingly Beautiful Prayer, Plea, & Cry for Reproductive Rights

TOLEDO © POND Creative
Debut, Features, Interviews, Music, Track-by-TrackOctober 7, 2022<March 11, 2023

‘How It Ends’: Brooklyn’s TOLEDO Debut with Trauma, Vulnerability, & Breathtaking Sonic Warmth

easy life © Jack Bridgland
Features, Interviews, MusicOctober 7, 2022<March 11, 2023

Interview: easy life’s ‘MAYBE IN ANOTHER LIFE…’ Is a Party Unlike Any You’ve Attended

Russian Baths © 2022
Music, PremieresOctober 6, 2022<October 6, 2022

Premiere: The Unabating Intensity of Russian Baths’ Haunting “Rise Again”

We Will Find the Light - Aarktica
Features, Interviews, Music, Track-by-TrackOctober 6, 2022<October 6, 2022

Intimacy Manifest: Jon DeRosa Opens Up About Aarktica’s Stirring New LP, ‘We Will Find the Light’

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Recent Posts

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  • Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred! December 9, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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