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Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

Nick Leng © 2022
Features, Interviews, MusicAugust 15, 2022<August 15, 2022

Interview: Falling in Love with Nick Leng

Muna © Isaac Schneider
Features, Interviews, MusicJune 24, 2022<April 24, 2025

“All Killer, No Filler”: MUNA Discuss Joy & Desire on Their Self-Titled Third Album

Charlie Hickey © Frank Ockenfels
Debut, Features, Interviews, MusicJune 7, 2022<July 9, 2022

To Those Who Wait: A Conversation with Charlie Hickey

Christian Lee Hutson © Jacob Boll
Features, Interviews, MusicMay 20, 2022<January 30, 2024

“Hope and Humor”: Christian Lee Hutson Dives into the Stories of New Album ‘Quitters’

Features, Interviews, MusicApril 21, 2022<May 12, 2023

Interview: Lizzy McAlpine Cuts Deep with Stunning Sophomore LP ‘five seconds flat’

Harry Styles © Hanna Moon
Music, ReviewsApril 4, 2022<April 4, 2022

Harry Styles, Change, and “As It Was”

Music, ReviewsMarch 9, 2022<March 9, 2022

Album Review: The Pure Love & Existential Fear of Big Thief’s Magical ‘Dragon New Warm Mountain I Believe in You’

Miles Francis © Shervin Lainez
Music, Music Videos, PremieresFebruary 25, 2022<February 25, 2022

Premiere: Miles Francis Parts the Clouds with “Rainjacket”

Interviews, MusicFebruary 7, 2022<February 8, 2022

Interview: The “Why” of Hippo Campus

Music, ReviewsFebruary 2, 2022<March 2, 2025

Review: Dijon’s ‘Absolutely’ Is a Force to Be Reckoned With

Father John Misty © Ward & Kweskin
Columns, Music, Today's SongJanuary 31, 2022<January 31, 2022

Today’s Song: “Funny Girl” Marks a New Golden Age for Father John Misty

Jelani Aryeh © Natasha Tilly
Columns, Music, Today's SongJanuary 27, 2022<January 30, 2024

Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do”

San Fermin © 2021
Columns, Music, Today's SongJanuary 13, 2022<January 13, 2022

Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness”

Hippo Campus © Tonje Thilesen
Columns, Music, Today's SongJanuary 10, 2022<January 7, 2022

Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro”

doomsday - Lizzy McAlpine
Artist to Watch, Columns, Music, ReviewsNovember 19, 2021<November 19, 2021

Artist to Watch: Lizzy McAlpine Celebrates Death with “doomsday”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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