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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Tove Lo © Moni Haworth
Columns, Music, Today's SongJune 3, 2019<June 5, 2019

Today’s Song: In “Glad He’s Gone” Tove Lo is the Perfect BFF

Mark Diamond © Aleigh Michelle
Features, Interviews, MusicApril 29, 2019<April 29, 2019

The Hummingbird and The Flower: A Conversation with Mark Diamond

LÉON © Nicole Almeida
Concerts, Music, ReviewsApril 24, 2019<April 24, 2019

Live Review: LÉON Brings Her World to Life at The Foundry in Philadelphia

Jake Wesley Rogers © Jakob Wandel
Music, PremieresMarch 21, 2019<March 21, 2019

Premiere: “Little Queen” is Jake Wesley Rogers’ Spiritual Reckoning

Rose Gray © Harris Dickinson
Features, Interviews, MusicMarch 5, 2019<March 5, 2019

In Search of the Good Life: A Conversation with Rose Gray

The Japanese House Lilo
Features, Interviews, MusicMarch 1, 2019<March 20, 2019

Feature: Falling for The Japanese House

James Blake 2019 © Nicole Almeida
Concerts, Music, ReviewsFebruary 28, 2019<February 28, 2019

Live: James Blake’s Ravishing Minimalism Captivates Philadelphia

Mallrat © Michelle Pitris
Features, Interviews, MusicFebruary 14, 2019<February 14, 2019

On UFOs and Trusting Your Instinct: A Conversation with Mallrat

CMBYN Mystery of Love Header
Editorials, MusicFebruary 8, 2019<February 26, 2019

Opinion: The Award-Worthy Visual Poetry in Sufjan Stevens’ “Mystery of Love”

Blaenavon © Luke Farley
Columns, Music, Today's SongFebruary 4, 2019<February 5, 2019

Today’s Song: Blaenavon’s “Catatonic Skinbag” Is a Self-Deprecative Triumph

filous © Harry Deadman
Interviews, MusicJanuary 31, 2019<February 1, 2019

Finding Connection in Collaborations: A Conversation with filous

Sunflower Bean © Andy De Luca
Music, Reviews, This Just InJanuary 25, 2019<January 28, 2019

Review: ‘King of the Dudes’ Will Make Sunflower Bean Live Forever

Angelo de Augustine - Tomb Cover Art
Music, ReviewsJanuary 22, 2019<January 22, 2019

Review: Angelo de Augustine Turns Heartbreak & its Collateral Damage into Beauty in ‘Tomb’

Alison Sudol © Marlene Marino
Features, Interviews, MusicJanuary 8, 2019<January 8, 2019

Can You Hear Me Now? A Conversation with Alison Sudol

Concerts, Music, ReviewsDecember 27, 2018<January 2, 2019

The Japanese House Returns, and Stuns, at Music Hall of Williamsburg

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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