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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Pizzagirl © John Latham
Features, Interviews, MusicNovember 30, 2018<November 30, 2018

Chronicles of High School and ‘80s Nostalgia: A Conversation with Pizzagirl

Christine and the Queens © Nicole Almeida
Concerts, Music, ReviewsNovember 19, 2018<November 19, 2018

Christine and the Queens Redefines the Live Music Experience at Philadelphia’s Union Transfer

SILVER © Emma Van Der Heide
Interviews, Music, PremieresOctober 31, 2018<October 31, 2018

Premiere: SILVER Turns Frustration into Colourful Fun with “Take It Away”

Your Smith © Gemma Warren
Features, Interviews, MusicOctober 30, 2018<October 30, 2018

Power in Reinvention and Identity: A Conversation with Your Smith

Katy Rea © Sara Laufer
Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: Get Better with Katy Rea’s “Brain on Snacks”

The Japanese House © Jim Mangan
Music, Reviews, This Just InSeptember 28, 2018<October 30, 2018

This Just In: Finding Hope in Love in The Japanese House’s “Lilo”

Your Smith © Gemma Warren
Columns, Music, Today's SongSeptember 28, 2018<September 28, 2018

Today’s Song: Your Smith Makes Love a “Bad Habit”

FINNEAS © Luke Fenstemaker
Columns, Music, Today's SongSeptember 24, 2018<September 24, 2018

Today’s Song: FINNEAS Moves On and Burns the Evidence in “College”

Wafia © Zoe Lawrence
Columns, Music, Today's SongAugust 31, 2018<September 20, 2018

Today’s Song: Wafia Finds Closure on Empowering Anthem “I’m Good”

Nightly © Louis Browne
Features, Interviews, MusicAugust 24, 2018<August 24, 2018

Call Out Their Name: A Conversation with Nightly

Dizzy © Leeor Wild
Debut, Features, Interviews, MusicAugust 21, 2018<August 29, 2018

Ascending from Suburbia and Adolescence: A Conversation with Dizzy

Our Girl © Hollie Fernando
Debut, Features, Interviews, MusicAugust 20, 2018<August 20, 2018

Interview with Our Girl: Strangers Today, But Not for Long

Drinker © Lincol Lute
Debut, Features, Interviews, MusicAugust 13, 2018<August 13, 2018

Cultivating an Individual Catharsis: A Conversation with Drinker

Rotana © Topher Shrigley
Features, Interviews, MusicAugust 10, 2018<August 10, 2018

In the Business of Humanity: A Conversation with Rotana

Calpurnia 2018 © Nicole Almeida
Concerts, Music, ReviewsJuly 27, 2018<July 27, 2018

Calpurnia Revive Rock’n’Roll at Irving Plaza

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Recent Posts

  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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