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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Soccer Mommy © Ebru Yildiz
Debut, Features, Music, ReviewsMarch 7, 2018<March 7, 2018

Review: Soccer Mommy Bares and Conquers It All on Debut ‘Clean’

Our Girl © Phil Smithies
Features, Music, Reviews, This Just InFebruary 21, 2018<February 21, 2018

This Just In: Witness the Start of Something Great on Our Girl’s “Our Girl”

Columns, Debut, Music, Music You Should Know, ReviewsFebruary 16, 2018<February 16, 2018

Music You Should Know: Confidence & Boldness on Billie Eilish’s Debut EP ‘dont smile at me’

FINNEAS © Cameron Postforoosh
Features, Music, PremieresFebruary 8, 2018<February 8, 2018

Premiere: Modern Love and Heartbreak in FINNEAS’ “Break My Heart Again”

Yungblud © Andrew Whitton
Debut, Features, Interviews, MusicFebruary 1, 2018<February 1, 2018

Raising the Voice of the Younger Generation: A Conversation with Yungblud

Dream Wife © Nicole Almeida
Debut, Features, Interviews, MusicJanuary 26, 2018<February 10, 2018

On Change, Female Empowerment, and Rock Music: A Conversation with Dream Wife

Columns, Debut, Music, Music You Should Know, ReviewsJanuary 19, 2018<January 19, 2018

Music You Should Know: Infectious Rock & Complicated Relationships on Alex Lahey’s Debut ‘I Love You Like a Brother’

MJ Cole © 2017
Features, Interviews, MusicJanuary 4, 2018<January 4, 2018

Pictures (And Songs) in His Head: A Conversation with MJ Cole

QTY © Nicole Almeida
Debut, Features, Music, Reviews, This Just InDecember 8, 2017<December 8, 2017

This Just In: QTY’s Self-Titled Debut Is a Joyous Ode to Humanity and Friendship

Tove Lo © Emma Holley
Features, Music, ReviewsDecember 1, 2017<December 11, 2017

Feature: Tove Lo Is the Pop Star We’ve Been Clamoring For

Girls © True Panther Sounds
Columns, Music, Nostalgia TracksNovember 9, 2017<November 9, 2017

Nostalgia Tracks: Girls’ Cheeky Quest for Their “Honey Bunny”

Billie Eilish live © Nicole Almeidaa
Concerts, Music, ReviewsOctober 25, 2017<October 25, 2017

LIVE: Billie Eilish is a Stunning Force at Philadelphia’s World Café Live

St. Vincent © Nedda Afsari
Features, Music, ReviewsOctober 20, 2017<October 20, 2017

Review: The Provocative Perfection of St. Vincent’s MASSEDUCTION

The Fluids © Jordan Kuyper
Music, PremieresOctober 9, 2017<October 9, 2017

Premiere: The Fluids’ Timeless Rock and Emotion in “Just Like Me”

Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”
Music, PremieresOctober 5, 2017<October 9, 2017

Premiere: A Journey of Unexpected Warmth in Aparde’s “Glass”

Posts pagination
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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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