January 30, 2024<January 30, 2024 Interview: This Time Around, Comfort Club Is Holding Nothing Back by Noah Wade
January 29, 2024<January 29, 2024 “Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday” by Mitch Mosk
January 28, 2024<January 28, 2024 Today’s Song: Samaria Flees to Open Waters in Tantalizing “Serial Recluse” by Aidan Mega
January 27, 2024<January 27, 2024 Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton) by Olivia Martinez
January 26, 2024<January 26, 2024 Atwood Magazine’s Weekly Roundup: January 26, 2024 by Atwood Magazine Staff
January 26, 2024<January 26, 2024 “I’m mean because I grew up in New England”: Noah Kahan’s “Homesick” Is Reflected Across the Pond With Sam Fender by Em Tomeo
January 25, 2024<January 25, 2024 Today’s Song: The Gentle, Sun-Kissed Grace of Signe Vange’s “Canada” by Mitch Mosk
January 24, 2024<January 24, 2024 Today’s Song: Future Islands Embrace Yearning & Distance With “Say Goodbye” by Beau Hayhoe
January 23, 2024<January 23, 2024 Today’s Song: Lee Lewis’ “Delusion” Is a Dark and Moody Pop Song “for the Gays & the Girls” by Mitch Mosk
January 22, 2024<January 23, 2024 Today’s Song: Energetic Emotions Conjure Sheer Attitude on Products Band’s “Shell Text” by Kevin Cost
January 21, 2024<January 21, 2024 Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch” by Beau Hayhoe
January 20, 2024<January 20, 2024 Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets” by Josh Weiner
January 19, 2024<January 19, 2024 Atwood Magazine’s Weekly Roundup: January 19, 2024 by Atwood Magazine Staff
January 19, 2024<January 19, 2024 “Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval by Mitch Mosk
January 18, 2024<January 18, 2024 Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment by Mitch Mosk