April 26, 2023<April 30, 2023 Today’s Song: London’s Marti West Dances Through the Pain on “Somebody New” by Mitch Mosk
April 25, 2023<April 30, 2023 The National & Phoebe Bridgers Deliver Somber Reminder on “Your Mind Is Not Your Friend” by Beau Hayhoe
April 24, 2023<April 30, 2023 “Immediate, Defiant, & Vulnerable”: Jasmine Jethwa Shines on Intimate, Soul-Stirring EP ‘Same Streets But I Don’t See You Around’ by Mitch Mosk
April 24, 2023<April 30, 2023 King Krule’s “Seaforth” Is an Emotionally Intimate Exploration of the ‘Space Between’ by Miles Campbell
April 21, 2023<April 22, 2023 Editor’s Picks 96: Babygirl, sunbleached, Hollyy, Isaac Stuart, dani mack, & Augustine! by Mitch Mosk
April 21, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: April 21, 2023 by Atwood Magazine Staff
April 21, 2023<April 30, 2023 Today’s Song: “Face to Face” Is Similar Kind’s Emotionally-Charged Indie Rock Fever Dream by Mitch Mosk
April 20, 2023<April 30, 2023 Music You Should Know: Turn On (and Turn Up) ‘Turn Off the Light’ by Kim Petras by Julia Dzurillay
April 20, 2023<April 30, 2023 Today’s Song: MORGXN Finds Hope in the Darkness on Triumphant Anthem “Beacon” by Mitch Mosk
April 19, 2023<October 20, 2023 Artist to Watch: “Four Walls” Is Bekah Bossard’s Intimate & Achingly Raw Ode to Their Own Anxiety & Depression by Mitch Mosk
April 19, 2023<April 30, 2023 Interview: Artist-to-Watch PJ Frantz Brings Comfort & Candor to a Generation of Kids Trying to Find Happiness by Nick Polak
April 18, 2023<April 30, 2023 Today’s Song: Basking in BAYEM’s Upbeat and Enamored “Starstruck” by Mitch Mosk
April 17, 2023<April 30, 2023 Today’s Song: MUNA Return with a Vengeance in Irresistible Single “One That Got Away” by Freya Rinaldi
April 14, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: April 14, 2023 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
