April 4, 2023<April 30, 2023 Today’s Song: Abi Ocia’s Soul-Stirring “30 Underwater” Is an Achingly Raw Reckoning with Time by Mitch Mosk
April 3, 2023<April 30, 2023 Adulting Made Easy(ish): Erez Zobary’s “Stuck!” Is a Soul-Pop Soundtrack to Our Quarter-Life Crisis by Mitch Mosk
March 31, 2023<April 30, 2023 Racquel Jones’ Triumphant “Elated” Is a Joyful Song of Healing & Celebration by Mitch Mosk
March 31, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 31, 2023 by Atwood Magazine Staff
March 31, 2023<April 30, 2023 “Lost and Found: A Los Angeles Story”: An Essay by Irene Diaz for Women’s History Month by Guest Writer
March 30, 2023<April 30, 2023 “Overcoming the Patriarchy Effect”: An Essay by Meris Gantt for Women’s History Month by Guest Writer
March 30, 2023<April 30, 2023 Today’s Song: MisterWives Enter a New Era with Punk Rock Rager, “Out of Your Mind” by Kelly McCafferty Dorogy
March 29, 2023<March 29, 2023 Editor’s Picks 94: Hana Eid, Raia Was, Kate Davis, Robyn Froese, Jealous of the Birds, & Why Bonnie! by Mitch Mosk
March 29, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Mazie and a Kaleidoscopic Journey by Atwood Magazine Staff
March 29, 2023<April 30, 2023 Wednesday’s “TV in the Gas Pump” Paints an Honest, Irreverent Picture of Life on the Road by Kylie Gurewitz
March 28, 2023<April 30, 2023 Today’s Song: Melbourne Singer/Songwriter ISHAN Sings His “Apologies” with an Intimate, Buoyant Bounce by Mitch Mosk
March 28, 2023<April 30, 2023 “The Importance of Empowering Young Women & Girls”: An Essay by Becca Bowen for Women’s History Month by Guest Writer
March 27, 2023<April 30, 2023 Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire by Rachel Leong
March 24, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 24, 2023 by Atwood Magazine Staff
March 24, 2023<April 30, 2023 “The Elephant in the Room”: An Essay by Claire Guerreso for Women’s History Month by Guest Writer
For the Love of Music
For the Love of Music
