February 8, 2022<February 8, 2022 Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation by Mitch Mosk
February 7, 2022<February 7, 2022 Today’s Song: Allan Rayman Breaks into New Realms with “Rider” by Joe Beer
February 4, 2022<February 4, 2022 Today’s Song: Hana Eid Channels Young Love’s Passion in Cinematic Anthem “Dancing to The Smiths” by Mitch Mosk
February 4, 2022<February 4, 2022 Atwood Magazine’s Weekly Roundup: February 4, 2022 by Atwood Magazine Staff
February 3, 2022<February 3, 2022 Today’s Song: Peter Raffoul Is Barely Moving on in Radiant Second Single “cigarette holes” by Mitch Mosk
February 1, 2022<April 30, 2022 A Casual Ramble: Requiem for Three Albums Involuntarily Placed on My Back-Burner by Ben Niesen
January 31, 2022<January 31, 2022 Today’s Song: “Funny Girl” Marks a New Golden Age for Father John Misty by Nasim Elyasi
January 28, 2022<June 6, 2022 Editor’s Picks 54: Nilüfer Yanya, Jack White, NewDad, Public Domain, Foxes, & Sunflower Thieves by Mitch Mosk
January 28, 2022<January 28, 2022 Atwood Magazine’s Weekly Roundup: January 28, 2022 by Atwood Magazine Staff
January 28, 2022<January 28, 2022 Today’s Song: Fergus Finds Redemption in Our Raw Depths on Tender Reeling “Flatline” by Mitch Mosk
January 27, 2022<January 30, 2024 Today’s Song: Jelani Aryeh Offers a Coming-of-Age for All Ages with “I’ve Got Some Living to Do” by Nasim Elyasi
January 27, 2022<May 11, 2022 Artist-to-Watch Suki Waterhouse is Letting Go and Opening Up by Nicole Almeida
January 26, 2022<January 26, 2022 Artist to Watch: Shropshire’s Jessie Reid Blooms in Soft, Stirring New Single “Other Hand” by Mitch Mosk
January 25, 2022<January 25, 2022 Today’s Song: VHS Collection Deliver Ode to the Human Spirit’s Tenacity with New Single “Survive” by Beau Hayhoe
For the Love of Music
For the Love of Music
