9 August 25, 2020<December 15, 2020 Feature: Marsicans on the Explosive Energy & Pure Passion of Debut Album ‘Ursa Major’ by Mitch Mosk
August 25, 2020<August 25, 2020 Interview with Busty and the Bass: Nostalgia & New Album ‘Eddie’ Under Summer Skies by Dalia
August 24, 2020<October 6, 2020 Not His First Goat Rodeo: Chris Thile on Supergroup’s Reunion & New Album by Mariel Fechik
August 24, 2020<August 24, 2020 Interview: Irvine’s Kaio Mars Soars with Vulnerable, Kaleidoscopic Debut “All I Need” by Mitch Mosk
August 21, 2020<August 21, 2020 Wild, Loose, & Deep: Nathan Willett on Why ‘New Age Norms 2′ Is Cold War Kids’ “Best Record” Ever by Mitch Mosk
August 21, 2020<August 21, 2020 Interview with Lewis Del Mar: Chaos, Community and Their New Album ‘AUGUST’ by Urooj Ali Rizvi
August 20, 2020<August 20, 2020 Track-by-Track: Melbourne’s Stonefox Open Up on Intimate New EP ‘As You Fall In’ by Mitch Mosk
August 20, 2020<August 20, 2020 Escape & Indulgence: Ulrik Denizou Lund (Lemaitre) on His New Music As “St Valentine” by Mitch Mosk
August 19, 2020<August 19, 2020 Review: Allman Brown’s Intimate ‘Reflections’ EP Dives Deep into the Self by Mitch Mosk
August 19, 2020<August 19, 2020 Interview with Stephen: Discovery, Destruction, and the Blurred Line Between Them by Guest Writer
August 19, 2020<August 19, 2020 Interview: Icona Pop on New Track “Feels in My Body” & How Lockdown Gave Them Time to Get Groovy by Bethan Harper
August 17, 2020<August 17, 2020 Interview with Big Words: New Mixtape Is the “Cherry” on Top of Impressive Start for Australian Alt-R&B Duo by Josh Weiner
August 14, 2020<August 14, 2020 A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen by Nicole Almeida
August 14, 2020<August 14, 2020 Power, Race, and Positivity: A Conversation with Fantastic Negrito by Ilana Kalish
August 12, 2020<August 12, 2020 Feature: The Personal Regeneration and Cultural Preservation of Anachnid’s ‘Dreamwaver’ by Frankie Rose
For the Love of Music
For the Love of Music
