September 17, 2024<September 17, 2024 “Being One With What You Make”: Ashton Irwin of 5 Seconds of Summer Traverses Passion, Philosophy, and Artistic Identity on ‘BLOOD ON THE DRUMS’ by Isabella Le
September 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
September 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
September 13, 2024<September 13, 2024 “Everything’s here and nothing’s lost”: Snow Patrol Continue to Write Their Legacy on Spellbinding ‘The Forest Is The Path’ by Aaron Childree
September 13, 2024<September 13, 2024 Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others by Mitch Mosk
September 13, 2024<September 13, 2024 Track-by-Track: Earthquake Lights Explore Self-Reflection in ‘Signs of Life’ by Joe Beer
September 12, 2024<September 12, 2024 Interview: Maddie Regent Is Both a “Recovering Overachiever” and a Conscious Pop Star on the Rise by Noah Wade
September 11, 2024<September 11, 2024 “There’s a million ways to exist in this world”: Ok Cowgirl’s Leah Lavigne on ‘Couldn’t Save Us From My Gut,’ Honest Musicianship, and Being Asian-American by Rachel Leong
September 11, 2024<September 11, 2024 “I’ve always been drawn to wimpy music”: Pigeon Club Discusses His Contemplative & Wistful Album ‘Another Year in the Minors’ by Chloe Robinson
September 10, 2024<September 10, 2024 “That is the job. I want other people to not feel alone”: Lunar Vacation Discuss Their Ruminative Album, ‘Everything Matters, Everything’s Fire’ by Marc Maleri
September 9, 2024<September 21, 2024 “As human as possible”: Dayglow’s Sloan Struble on Making the Most ‘Dayglow’ Dayglow Album of His Career by Lauren Turner
September 6, 2024<September 6, 2024 ‘A Long & Distant Wave’: Devarrow Embraces Life’s Ebbs and Flows With Sweet, Seductive, Soul-Stirring Folk by Mitch Mosk
September 6, 2024<September 6, 2024 “Give a weight for hope”: LA’s Wax Owls Weave Reflective & Vulnerable Indie Folk Reveries on Debut EP ‘Cowboy Cologne’ by Mitch Mosk
September 6, 2024<September 6, 2024 Interview: TENDER Showcase Musical Range and Intimate Lyrics on Mesmerizing New Album ‘FLUX’ by Aaron Childree
September 5, 2024<September 5, 2024 Feature: The Sweet Seduction of Joe George’s Dreamy, Nostalgic & Dusty Third LP, ‘FOLK CINEMA’ by Mitch Mosk
For the Love of Music
For the Love of Music
