May 29, 2020<March 2, 2023 Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’ by Alex Killian
10 May 29, 2020<May 23, 2023 Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece by Mitch Mosk
May 29, 2020<May 29, 2020 Review: The Howl & The Hum’s ‘Human Contact’ Is a Spellbinding Debut by Bethan Harper
May 28, 2020<May 27, 2020 Album Premiere: Inside Ghost Gnotes’ Hauntingly Intimate Self-Titled Debut by Mitch Mosk
May 28, 2020<May 28, 2020 Review: Dylan E. Crampton’s Debut EP Is a Fresh Cup of Creative Genius by Mitch Mosk
May 28, 2020<May 27, 2020 Premiere: Peter Stone’s Debut Single “Fells Reservoir” Is a Love Story Tinged with Summer Tones by Alicia Bugallo
May 27, 2020<May 27, 2020 Review: BEL Emerges with Hope & Strength on Glistening Debut Single “Silver Line” by Mitch Mosk
May 26, 2020<January 27, 2023 Interview with Coolhand Jax: A New Warmth into the Music Scene by Adrian Vargas
May 22, 2020<August 23, 2020 His Head, His Heart, and a Fresh Start: An Interview with Josiah Johnson by Mitch Mosk
May 22, 2020<March 16, 2021 Human Memory, Human Contact, and Releasing a Debut Album During Lockdown: An Interview with The Howl & The Hum by Bethan Harper
May 21, 2020<August 4, 2020 Premiere: London’s Luca Wilding Debuts with Raw, Impassioned “Heartachers” by Mitch Mosk
May 20, 2020<May 20, 2020 Review: Orpine Inject Duality & Depth into Debut Album ‘Grown Ungrown’ by Mitch Mosk
May 19, 2020<May 19, 2020 Premiere: Arther Blue Evokes Rainy-Day Romance Vibes in “Wet Shoe” by Mitch Mosk
8.9 May 19, 2020<December 15, 2020 Our Take: My Ugly Clementine’s Debut Album ‘Vitamin C’ Is Empowering, Fresh-Squeezed Indie Rock by Mitch Mosk
May 13, 2020<November 27, 2020 Premiere: Find Yourself Undone in SUNFLOWER’s Carefree Debut Single “Better Days” by Erica Danielle Garcia
For the Love of Music
For the Love of Music
