May 4, 2023<May 4, 2023 Premiere: Basking in Cool Girl Island’s Intimate & Enchanting “LA Lullaby” by Mitch Mosk
May 4, 2023<May 5, 2023 Premiere: Brittain Ashford Dwells in Soul-Stirring Melancholy on “Hand Wringing/In the Wings” by Mitch Mosk
May 4, 2023<May 4, 2023 Today’s Song: Sadye Explores the Pitfalls of Blind Faith in “Biblical” by Sophie Severs
May 3, 2023<May 3, 2023 “Soothing Existential Dread”: Dwelling in Draag’s Cathartic Debut Album, ‘Dark Fire Heresy’ by Mitch Mosk
May 3, 2023<May 31, 2023 “Finding My Identity in Film Scores”: An Essay by Ann Annie for AAPI Heritage Month by Guest Writer
May 3, 2023<May 3, 2023 “The beauty starts the moment you love yourself”: Firewoodisland Premiere “Looking for Love,” Their Inspiring Song & Mantra by Mitch Mosk
May 3, 2023<May 3, 2023 Video Premiere: Tayls’ “Nightmare” Is a Haunting, Heavy-Hitting Anthem for These Hard Times by Kelly McCafferty Dorogy
May 3, 2023<June 2, 2023 Concert Review: DPR Live & DPR Ian Reign Supreme at Their Coachella ’23 Debut by Freya Rinaldi
May 2, 2023<May 2, 2023 Feature: Photo Ops ‘Burns Bright’ on His Iridescent, Honest & Melodic Fourth Album by Mitch Mosk
May 2, 2023<May 3, 2023 “Both timely and timeless”: Babygirl Bridge Humanity & Musicianship on ‘Be Still My Heart’ by Isabella Le
May 2, 2023<May 2, 2023 ‘Guardians of the Galaxy Vol. 3’ and Marvel’s Lessons in Music Therapy by Julia Dzurillay
May 2, 2023<May 2, 2023 Album Review: Everything But The Girl’s ‘Fuse’ & the Weight of the World by David Buyze
May 2, 2023<June 9, 2023 Video Premiere: Joshua Idehen’s Moving “Learn to Swim Pt 2” Is Food for the Soul by Mitch Mosk
May 2, 2023<May 2, 2023 Today’s Song: Ryan Beatty’s “Ribbons” Marks a Delicate, Intimate Comeback by Brendan Le
May 1, 2023<May 2, 2023 Feature: Lisa/Liza’s ‘Breaking and Mending’ Is an Album About Processing Trauma & Life Itself by Mitch Mosk
For the Love of Music
For the Love of Music
