November 1, 2022<February 22, 2023 American Bollywood: Young the Giant’s Epic & Intimate Fifth Album Unpacks Identity, Belonging, Home, & the Immigrant Story by Mitch Mosk
November 1, 2022<November 1, 2022 Feature: Stockholm’s Melby Dwell in the Past, Present, & Future on Stirring Sophomore LP ‘Looks like a map’ by Mitch Mosk
November 1, 2022<November 1, 2022 “Big Feelings in Little Moments”: Daisy the Great Stun with Harmony & Hope on ‘All You Need Is Time’ by Mitch Mosk
November 1, 2022<March 11, 2023 Interview: Built to Spill Embody the Indescribable on ‘When the Wind Forgets Your Name’ by Sophie Prettyman-Beauchamp
November 1, 2022<March 11, 2023 Trauma, Defiance, & Hope: UK’s Asylums Soar Triumphant on 4th LP, ‘Signs of Life’ by Mitch Mosk
November 1, 2022<October 30, 2022 Olivia Dean’s “Danger” Ignites Lush Soundscapes & Self-Empowerment While Falling Straight into Love by Rachel Leong
October 31, 2022<March 11, 2023 Editor’s Picks 78: Connie Constance, Lyves, ToBy, Holly Humberstone, Hayden Everett, & Runnner! by Mitch Mosk
October 31, 2022<October 31, 2022 Shades of Grief: Alison Sudol on the Inspirations Behind New Album ‘Still Come the Night’ & the Importance of Making Space for Loss by Emily Frances Algar
October 31, 2022<October 31, 2022 Review: Babehoven’s Debut Album ‘Light Moving Time’ Fearlessly Takes on Difficult Themes by Kevin Krein
October 31, 2022<October 29, 2022 London’s Sophie Faith Aches in All the Right Ways on Soulful & Smoldering “Heart Is on My Sleeve” by Mitch Mosk
October 30, 2022<October 29, 2022 Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem by Mitch Mosk
October 29, 2022<October 29, 2022 Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy by Mitch Mosk
October 28, 2022<April 2, 2023 “I still shine from time to time”: Phoebe Go Stirs the Soul on Her Beautifully Raw Debut, ‘Player’ by Mitch Mosk
October 28, 2022<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Midnights’ by Atwood Magazine Staff
October 28, 2022<October 28, 2022 Bet It All on the Music: Field Guide’s “Intimate, Vulnerable, & True” Self-Titled Album Aches with Dreamy Indie Folk Beauty by Mitch Mosk
For the Love of Music
For the Love of Music
