October 7, 2021<October 4, 2021 The Remarkable Inner Experience of Chvrches: A Review of ‘Screen Violence’ by Guest Writer
7.3 October 6, 2021<October 4, 2021 Our Take: ‘Bless My Psyche’ Is Sincere Engineer’s Second Grand Introduction by Nick Baron
October 6, 2021<October 4, 2021 Interview: Nashville Duo Crimson Calamity on Their Dreamy Sound, New Single “WildCard,” & Big Successes by Chloe Robinson
October 6, 2021<October 4, 2021 Interview: Take a Plunge into the World of Edinburgh’s Riotous Rockers Swim School by Bethan Harper
October 5, 2021<October 5, 2021 Interview: Slothrust dig into their latest hypnotic, mysterious album ‘Parallel Timeline’ by Dimitra Gurduiala
October 5, 2021<October 5, 2021 Today’s Song: Hamburg’s RIVER Kindle a Spark in Sophomore Single “Dance in the Darkness” by Mitch Mosk
October 5, 2021<October 5, 2021 “Heart-Wrenching, Real, & Lifegiving”: The Stunning Grief of Leah Shaw’s Debut Album ‘Play Beautifully’ by Mitch Mosk
October 5, 2021<October 5, 2021 “Never Ending Story”: Inside NGAIIRE’s Intimate, Wondrous & Soulful Album, ‘3’ by Mitch Mosk
October 5, 2021<October 4, 2021 Premiere: Scalawag’s Hauntingly Peaceful “Nobody Leaves” by Kelly McCafferty Dorogy
October 4, 2021<October 5, 2021 “Introspective, Cinematic, & Dark”: Boslen Dives into the Vulnerable Depths of Debut Album ‘DUSK to DAWN’ by Mitch Mosk
October 4, 2021<October 4, 2021 “Earnest, Nostalgic, & Colorful”: Inside Maisyn’s Intimate & Catchy Coming-of-Age Debut EP ‘Cool Grl’ by Mitch Mosk
October 4, 2021<October 4, 2021 Today’s Song: Tommy Newport Goes Sweet as Hell With “Bubblegum” by Joe Beer
October 4, 2021<October 4, 2021 Book Review: Miles Marshall Lewis Adjusts Kendrick Lamar’s Crown in ‘Promise That You Will Sing About Me’ by Oliver Crook
October 1, 2021<October 1, 2021 Premiere: B-Drop Worldwide Showcases Cuffed Up, sorebae, Cheer Up Club, Jango Flash, & The Rare Occasions by Mitch Mosk