March 21, 2023<April 30, 2023 Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it” by Brianna Corrine
March 20, 2023<April 30, 2023 “If you can take the fall, how high do you wanna be?”: Joesef’s Stunning, Soul-Soaked Debut Album ‘Permanent Damage’ by Mitch Mosk
March 20, 2023<April 30, 2023 Premiere: Meadowlark’s “What’s It Like to Love Me” Is an Intimate, Vulnerable Song for the Anxiously Attached by Mitch Mosk
March 20, 2023<April 30, 2023 Interview: DJ Pink Palindrome Amidst the Sarajevo Music Scene by David Buyze
March 20, 2023<April 30, 2023 “I’m not going to sleep with you”: An Essay by Ollella for Women’s History Month by Guest Writer
March 20, 2023<April 30, 2023 Sweet & Twangy, “Kick in the Teeth” Marks a New, Simpler Era of Music for Hippo Campus by Claire Meyer
March 17, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: March 17, 2023 by Atwood Magazine Staff
March 17, 2023<April 30, 2023 Natalia Damini Displays Her “Attitude” with Music Legend Tito Jackson (The Jackson 5) by Julius Robinson
8.6 March 17, 2023<April 30, 2023 Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves by Josh Weiner
March 17, 2023<March 17, 2023 Editor’s Picks 92: Gordi, Under the Rug, Tash Sultana, Karson., Stolen Jars, & girlhouse! by Mitch Mosk
March 16, 2023<April 30, 2023 “I want kids who grew up like me to see that you can make music”: An Interview with Hannah Jadagu by Mitch Mosk
March 16, 2023<April 30, 2023 Interview: Singing Drummer Jake Huffman Speaks on New Single “Martyr” & Upcoming EP ‘Younger’ by Joe Beer
March 16, 2023<April 30, 2023 “On Never Allowing ‘Tall Poppy Syndrome’ to Hold a Woman Back”: An Essay by Mereki for Women’s History Month by Guest Writer
March 16, 2023<April 30, 2023 ‘days of distortion’: Parisian Band Pam Risourié Premiere Their Immersive, Hypersensitive, & Ambient Debut Album by Mitch Mosk
March 16, 2023<April 30, 2023 Feature: Alicia Blue Delves into the Soul-Stirring Depths of Her Beautifully Cathartic ‘Inner Child Work’ by Mitch Mosk
For the Love of Music
For the Love of Music
