August 12, 2024<August 12, 2024 Review: Osheaga 2024 Rocked, Sweated, and Belonged to Chappell Roan by Oliver Crook
August 12, 2024<August 12, 2024 Review: ‘Blur: To the End’ Is a Bad Doc About a Brilliant Band by Liv Goodbody
August 9, 2024<August 9, 2024 “Denial, Anger, & Acceptance”: april june Cracks Her Heart Open on Dreamy Sophomore EP ‘baby’s out of luck again’ by Mitch Mosk
August 9, 2024<August 9, 2024 ‘This Is Your New Life’: Mal Not Bad Charts an Intimate Awakening on Soul-Stirring Debut Album by Mitch Mosk
August 9, 2024<August 9, 2024 Interview: Nat Harvie’s ‘New Virginity’ Accesses Personal Ecstasy Through Reflection, Complexity, and a Saxophone by Noah Wade
August 9, 2024<August 9, 2024 Live Review: Foo Fighters Remain Steadfast in Giving “Everything or Nothing at All” at Petco Park by Isabella Le
August 9, 2024<August 9, 2024 “If God is a man then God is a man among us”: Luke Beling Embraces a Divine Light in “Shining Like the Sun” by Mitch Mosk
August 8, 2024<August 8, 2024 Premiere: Wisconsin’s Kat and the Hurricane Get It Out on “Therapy,” a Raucous Anthem of Cathartic Release by Mitch Mosk
August 8, 2024<August 8, 2024 “I’ll meet you in the fire”: East London’s Sarah Isabella Emerges on Soulful, Spiritual & Smoldering Debut EP ‘The Keeper’ by Mitch Mosk
August 8, 2024<August 8, 2024 Maximum R&B Meets Pop Art: The Who’s Musical Fruit, “Heinz Baked Beans” by Guest Writer
8 August 8, 2024<August 8, 2024 Our Take: The Playfully Explosive Musings of Remi Wolf and ‘Big Ideas’ by Frankie Rose
August 8, 2024<August 8, 2024 Today’s Song: ‘Brat’ Summer Is Here to Stay With Charli XCX’s “Guess” ft. Billie Eilish by Marc Maleri
August 7, 2024<August 7, 2024 Track-by-Track: Austin’s Font Debut With Dance-Punk Fever Dream ‘Strange Burden’ by Mitch Mosk
August 7, 2024<August 9, 2024 “Disco will never die”: Never Ending Fall Find Reinvention Through Rock Songs on ‘American Disco,’ Their Irresistible Sophomore Album by Mitch Mosk
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For the Love of Music
For the Love of Music
