November 19, 2025<November 19, 2025 Today’s Song: Hilary Duff Got Older & Wiser – and Wrote About It in “Mature” by Danielle Holian
November 17, 2025<November 19, 2025 Interview: Good Kid on Vulnerability, Community, & Independence on “Wall” by Rachel Leong
November 14, 2025<November 14, 2025 Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner! by Mitch Mosk
November 14, 2025<November 14, 2025 “Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together by Mitch Mosk
November 14, 2025<November 14, 2025 “I’m Just Writing What Feels Real”: Izzy Escobar Shines With Honest, Heartfelt Pop on ‘Sunny in London’ EP by Michael Greco
November 14, 2025<November 14, 2025 “Electric, Chronological, & Real”: Evan Honer Reflects on ‘Everything I Wanted’ and Finding Joy on the Open Road by Ashley Littlefield
November 14, 2025<November 14, 2025 “It’s Not Mine I Carry Around”: An Essay by Buick Audra of Friendship Commanders by Guest Writer
November 14, 2025<November 14, 2025 “It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song by Mitch Mosk
November 13, 2025<November 13, 2025 Roundtable Discussion: A Review of Doja Cat’s ‘Vie’ by Atwood Magazine Staff
November 13, 2025<November 13, 2025 “The Sweetest of Sounds”: Tomás Tomás’ “Brought It Down” Is a Smoky, Soul-Stirring Reverie of Memory, Longing, & Midnight Drift by Mitch Mosk
November 13, 2025<November 13, 2025 “A Moment of Rage”: Sophia Hansen-Knarhoi Unleashes a Haunting, Bruised & Beautiful Storm in “All the things that aren’t you” by Mitch Mosk
November 13, 2025<November 13, 2025 “I Know You Know Me Now”: Brooklyn’s JULESY Ignites Youthful Chaos & Emotional Reckoning in “Blue Lie,” a Dreamy, Cinematic Standout Off Debut ‘Flip the Bed’ by Mitch Mosk
November 13, 2025<November 12, 2025 “The Space Between the Club and the Confessional”: ANT ENOCH Reckons with Self-Worth & Freedom on “9INE to 5IVE,” a Cinematic Fever Dream by Mitch Mosk
November 12, 2025<November 12, 2025 “It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem by Mitch Mosk
November 12, 2025<November 12, 2025 Atwood Magazine’s Weekly Roundup: November 12, 2025 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
