February 4, 2026<February 4, 2026 Atwood Magazine’s Weekly Roundup: February 4, 2026 by Atwood Magazine Staff
February 4, 2026<February 4, 2026 “Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning by Mitch Mosk
February 4, 2026<February 18, 2026 “Peaceful Death is Our Goal”: Music Therapy and Emotional Catharsis with Hospice Therapist Yuzuko DeGrottole by Bella Bromberg
February 4, 2026<February 4, 2026 Meet Anne-Marie Keane: Sailing Across the World and Ever True to Her Musical Craft by Josh Weiner
February 4, 2026<February 4, 2026 Melanie Martinez’s “POSSESSION” Is a Candy-Coated Descent into HADES by Danielle Holian
February 3, 2026<February 3, 2026 Feature: Nat & Alex Wolff on How They Built an Album from Their Love of Music and Each Other by Kelly McCafferty Dorogy
February 3, 2026<February 7, 2026 “I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart by Mitch Mosk
February 3, 2026<February 2, 2026 Snail Mail’s “Dead End” Makes Heartbreak a Bit More Bearable by Julia Dzurillay
February 2, 2026<February 2, 2026 “Don’t turn my death into a performance”: Indiana’s justbrandon on Legacy, Intention, & Living Honestly on “Bury Me on a Backroad” by Chloe Robinson
February 2, 2026<February 2, 2026 The Sacred and the Self: Sydney Ross Mitchell on Faith, Freedom, and Finding Her Voice With ‘Cynthia’ by Nicolle Knapová
February 2, 2026<February 2, 2026 “I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale by Mitch Mosk
February 1, 2026<February 1, 2026 Evann McIntosh’s “Mull It Over” Is a Tender Confessional Reveling in Lost Memories by Rachel Leong
January 31, 2026<January 31, 2026 Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” by Nicolle Knapová
January 30, 2026<January 30, 2026 Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! by Mitch Mosk
January 30, 2026<January 30, 2026 “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” by Aileen Goos
For the Love of Music
For the Love of Music
