November 4, 2024<November 2, 2024 The Beautiful, Brutal Ache of Sarah Klang & Fruit Bats’ Love Song, “Last Forever” by Mitch Mosk
November 3, 2024<November 1, 2024 Today’s Song: Friedberg’s “Hardcore Workout Queen” Is a Seductive & Cinematic Indie Pop Fever Dream by Mitch Mosk
November 2, 2024<November 1, 2024 Tom A. Smith’s Emotionally Charged Masterpiece, “I Don’t Want You to Have to Remember Me for Longer Than You Ever Knew Me” (ft. swim school) by Mitch Mosk
November 1, 2024<November 1, 2024 “Please don’t waste my time when rent is due”: Amahla’s Inner Light Shines on “Money” by Mitch Mosk
November 1, 2024<November 2, 2024 “Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album by Mitch Mosk
November 1, 2024<November 1, 2024 “Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut by Mitch Mosk
November 1, 2024<November 1, 2024 “I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’ by Mitch Mosk
November 1, 2024<November 1, 2024 Interview: Malcolm Todd Talks Tackling Love, New Music, & His Twenties by Mariam Bagdady
October 31, 2024<November 1, 2024 Atwood Magazine’s Weekly Roundup: November 1, 2024 by Atwood Magazine Staff
October 31, 2024<October 31, 2024 Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest by Mitch Mosk
October 31, 2024<October 31, 2024 Interview: Meet Noise Cans, a Guy Rockin’ the Turntables and Donnin’ Gombey Masks by Josh Weiner
October 30, 2024<October 30, 2024 “It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength by Mitch Mosk
October 30, 2024<October 30, 2024 Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’ by Mitch Mosk
October 30, 2024<October 30, 2024 Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music by Emma Rayder
October 30, 2024<October 30, 2024 Live Review: KEN Mode Show That After 25 Years, They’re the Band for This Current Era by Oliver Crook
For the Love of Music
For the Love of Music
