10 September 2, 2026<September 2, 2026 “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return by Mitch Mosk
September 2, 2026<September 2, 2026 “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP by Kelsey Ferrell
September 2, 2026<September 2, 2026 “You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones” by Mitch Mosk
September 1, 2026<September 1, 2026 “Take the Roof Off and Sing Along”: Borderline Channel Collapse into Catharsis on “Watching It Burn,” an Arena-Sized Anthem of Ruin & Release by Mitch Mosk
September 1, 2026<September 1, 2026 Chasing Presence: Winyah Discuss What It Means to Be ‘Right Here, Right Now’ by Jason Bauer
September 1, 2026<September 1, 2026 “The Horrors of My Twenties”: Ally Evenson on the ‘Speed Kills’ Film, Panic, and Empowerment by Nasim Elyasi
August 31, 2026<August 31, 2026 “You Learn Your Limits”: Westside Cowboy Wrestle With Self-Control on “Pin Up Boys” by Lily O'Delia
August 31, 2026<September 8, 2026 “It’s the Intimacy and the Geography”: Why Vail’s Mountains of Music Belongs on Every Music Lover’s Festival List by Mitch Mosk
August 28, 2026<August 28, 2026 Editor’s Picks 165: VANITY, Mansdaughter, Keo, Black Lounge, M.O.T.H.E.R., Emma Ogier & Eden Joel! by Mitch Mosk
August 28, 2026<August 28, 2026 Atwood Magazine’s Weekly Roundup: August 28, 2026 by Atwood Magazine Staff
August 28, 2026<August 28, 2026 “This Is What It Was Supposed to Feel Like All This Time”: chandol’s Charley Yang Steps Fully Into Himself on ‘Mercurial,’ a Debut Reckoning with Memory & Change by Mitch Mosk
August 28, 2026<August 28, 2026 “I Love Out Loud. People Aren’t Used to That”: Tiger Lewis Roars Into His Own on “Too Easy,” a Blistering Love Song About Letting Your Guard Down by Mitch Mosk
August 27, 2026<September 28, 2026 “Fun, Awkward, & Joyful”: Lottie McLeod Rides Love’s Highs and Heartaches on “Wednesdays at the Waterloo,” an Indie Pop Daydream by Mitch Mosk
August 27, 2026<August 27, 2026 “Sometimes Healing Feels a Lot Like Dying Before It Starts to Feel Like Freedom”: Anna Moon & the Stars Roars Back to Life on “Oh my god! It’s a resurrection” by Mitch Mosk
August 27, 2026<August 27, 2026 “The Hurt Is Softer Than We Know”: Where’s Beth Finds Beauty in the Mess of Being Alive on ‘Ache Is A Cricket In The Night’ by Mitch Mosk
For the Love of Music
For the Love of Music
