August 15, 2026<August 15, 2026 “Dirty Hotel Blues”: Django Django and Nostalgia for Things That Weren’t Actually Good by Anna Madison
August 14, 2026<August 17, 2026 Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tiger Lewis, Roe Kapara, Jack Cullen, & Marfa! by Mitch Mosk
August 14, 2026<August 14, 2026 “To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ by Mitch Mosk
August 14, 2026<August 14, 2026 “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album by Guest Writer
August 14, 2026<August 14, 2026 “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ by Bárbara Martínez Campuzano
August 14, 2026<August 14, 2026 “I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ by Jack Batt
August 13, 2026<August 13, 2026 “It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning by Mitch Mosk
August 13, 2026<August 13, 2026 “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” by Mitch Mosk
August 13, 2026<August 13, 2026 “I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty by Mitch Mosk
August 13, 2026<August 13, 2026 “I Spent My Life Feeling ‘A Little Off’”: An Essay by Kind Villain’s EV Frederick by Guest Writer
August 12, 2026<August 12, 2026 “It’s Like Making Love”: Dali Rose’s Star Burns Bright on “Parisian Mama,” a Smoldering Alt-R&B Fantasy by Mitch Mosk
August 12, 2026<August 12, 2026 “I Hope I Don’t Give Up”: Games We Play Fights the Urge to Quit on His Explosive Pop-Punk Anthem “Is This What I’m Made Of” by Mitch Mosk
August 12, 2026<August 12, 2026 “Fun, Confident, Sisterhood”: Rachael Fahim on the Runaway Success of Her Debut Album ‘Who You Are’ and Taking Her Country-Pop to the Global Stage by Aileen Goos
August 11, 2026<August 11, 2026 “Oh, I Put My Feelings on Hold Again”: Australia’s ARCHIE Turn Self-Erasure into Dreamy Indie Pop Catharsis on “Nine” by Mitch Mosk
August 10, 2026<August 10, 2026 Atwood Magazine’s Weekly Roundup: August 10, 2026 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
