April 2, 2025<April 2, 2025 “A Recording Is a Relic; a Show Is Alive”: My Morning Jacket’s Carl Broemel on Music as a Way of Life, the Spirit of Performance, & the Making of ‘is’ by Mitch Mosk
April 2, 2025<April 2, 2025 Interview: Chloe Moriondo Doesn’t Regret a Single Word of ‘oyster’ by Juls Patterson
April 1, 2025<April 1, 2025 Today’s Song: Lunar Vacation Embody Vulnerability and Raw Emotion in “Lights Off” by Miranda Urbanczyk
April 1, 2025<April 1, 2025 Interview: Maya Delilah Embraces Nostalgia & Creative Freedom in Her Genre-Warping Debut Album, ‘The Long Way Round’ by Brianna Corrine
March 31, 2025<March 31, 2025 One to One: Yoko Ono Shines in New Doc on Ono-Lennons in NYC by Aidan Moyer
March 31, 2025<March 31, 2025 Review: Ariana Grande Journeys Through Heartbreak and Healing in ‘Eternal Sunshine (Deluxe)’ & Short Film by Danielle Holian
March 31, 2025<March 31, 2025 “Her Sound, Her Power”: A Women’s History Month Playlist by XIE by Guest Writer
March 31, 2025<March 31, 2025 “Creating ‘MRA’ as a Fully Female Made Album”: An Essay by EMEL for Women’s History Month by Guest Writer
March 31, 2025<March 31, 2025 She’s Got the Music in Her: Our 2025 Women’s History Month Soundtrack! by Atwood Magazine Staff
March 30, 2025<March 30, 2025 “Don’t panic when it hits”: MARINA Gets Playful with Love’s Sharpest Arrows in “Cupid’s Girl” by Danielle Holian
March 28, 2025<April 1, 2025 Premiere: Brie Stoner’s Mythic & Cinematic “Topanga” Captures Canyon Dreams & Fleeting Flames by Mitch Mosk
March 28, 2025<March 28, 2025 Interview: Beach Weather’s Sean Silverman Talks Sound, Band Identity, & Their Latest Album, ‘Melt’ by Mariam Bagdady
March 28, 2025<April 2, 2025 Atwood Magazine’s Weekly Roundup: April 1, 2025 by Atwood Magazine Staff
March 28, 2025<March 28, 2025 “You Got This, Babe!”: Jo Hill Breaks Down “ZOOM OUT,” Her Feel-Good Anthem of Empowerment, Girlhood, & Resilience by Mitch Mosk
For the Love of Music
For the Love of Music
