April 2, 2021 April 2, 2021 “Hope-Filled, Anthemic, & Canadian”: Hey, King! Dive into Their Energizing & Resilient Self-Titled Debut by Mitch Mosk
April 1, 2021 April 8, 2021 Olivia Rodrigo’s “deja vu” Is Going to Turn Some Heads & Stir Some Pots by Nasya Blackshear
April 1, 2021 April 1, 2021 “Raw, Fierce, & Catchy”: Alex Little & The Suspicious Minds Dive into Debut Album ‘Waiting to Get Paid’ by Mitch Mosk
March 31, 2021 March 31, 2021 Hey Violet Channel Isolation Angst into Buoyant Pop Anthem “Friends Like This” by Mitch Mosk
March 31, 2021 March 31, 2021 Premiere: Tackling Substance & Significance with Joana Serrat’s Smoky “Pictures” by Mitch Mosk
March 31, 2021 March 31, 2021 Feature: An Exploration into Adult Swim’s Magnum ‘Opus’ by Adrian Vargas
March 31, 2021 March 31, 2021 Atwood Magazine Celebrates Women’s History Month 2021, Pt. VIII by Staff
March 31, 2021 March 31, 2021 “Reflective, Intimate, & Warm”: Lucy Park Dives into Her Intimate Debut EP ‘Before I Speak’ by Mitch Mosk
March 31, 2021 March 30, 2021 Review: Kurt Deemer Band Paint a ‘World Upside Down’ with Both Current & Pre-Pandemic Themes by Josh Weiner
March 31, 2021 March 31, 2021 Today’s Song: Raina Sokolov-Gonzalez is Confident, Bold, & Fearless in New Single “Better for You” by Joe Beer
March 30, 2021 March 30, 2021 Premiere: With “In My Head,” Chicago’s Sunjacket Return with a Seductive Taste of Indie Rock Noir by Mitch Mosk
9 March 30, 2021 March 30, 2021 “Calm, Inclusive, & Warm”: Ziggy Alberts Shines on Fifth Album ‘searching for freedom’ by Mitch Mosk
March 30, 2021 March 30, 2021 This Just In: Soda Blonde Make a Big Statement with Smoldering Single “Small Talk” by Mitch Mosk
March 30, 2021 March 30, 2021 Interview: Harmony Woods Reckon with Trauma on ‘Graceful Rage’ by James Crowley
For the Love of Music
For the Love of Music
