March 18, 2026<April 13, 2026 Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions by Kelsey Ferrell
March 18, 2026<March 18, 2026 “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” by Mitch Mosk
March 18, 2026<March 18, 2026 “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality by Mitch Mosk
March 17, 2026<March 17, 2026 Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ by Atwood Magazine Staff
March 17, 2026<March 18, 2026 “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month by Guest Writer
March 17, 2026<March 17, 2026 “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth by Mitch Mosk
March 17, 2026<March 17, 2026 Atwood Magazine’s Weekly Roundup: March 17, 2026 by Atwood Magazine Staff
March 16, 2026<March 16, 2026 Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist by Rachel Leong
March 16, 2026<March 16, 2026 “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem by Kevin Cost
March 15, 2026<March 15, 2026 “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” by Mitch Mosk
March 14, 2026<March 14, 2026 “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” by Joe Beer
March 13, 2026<March 14, 2026 “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World by Mitch Mosk
March 13, 2026<March 13, 2026 “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ by Aileen Goos
March 13, 2026<March 14, 2026 “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month by Guest Writer
March 13, 2026<March 13, 2026 ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet by Danielle Holian
For the Love of Music
For the Love of Music
