August 14, 2020<August 14, 2020 A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen by Nicole Almeida
August 14, 2020<August 14, 2020 Power, Race, and Positivity: A Conversation with Fantastic Negrito by Ilana Kalish
August 14, 2020<August 14, 2020 Today’s Song: Marie Naffah’s “The Cage” Offers a Summery Tune to Groove To by Adrian Vargas
August 14, 2020<August 14, 2020 Atwood Magazine’s Weekly Roundup: August 14, 2020 by Atwood Magazine Staff
August 13, 2020<August 13, 2020 Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’ by Ryan Feyre
August 13, 2020<August 14, 2020 “Dark, Wonky, Brutally Honest Pop”: Holly Humberstone Opens Up on Debut EP ‘Falling Asleep At the Wheel’ by Mitch Mosk
August 13, 2020<August 13, 2020 Premiere: Worthitpurchase Deal with the Pain of Being Nostalgic on Debut “Dizzy Age” by Nick Matthopoulos
August 13, 2020<August 13, 2020 Premiere: Falling “In Love Again” with Yukon Blonde’s Seductive Summer Dream by Mitch Mosk
August 13, 2020<August 13, 2020 Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go” by James Crowley
August 13, 2020<August 13, 2020 Breaking the Record with Roan Yellowthorn, Part 27: Going Indie by Mitch Mosk
August 13, 2020<August 11, 2020 Premiere: Estes & HENLEY Team Up for Sweet n’ Summery, Freeing n’ Feelgood ‘SODA’ EP by Mitch Mosk
August 13, 2020<August 13, 2020 Premiere: Hedara Captures Anxiety in Poignant, Aching Confessional “Fire with Fire” by Mitch Mosk
August 12, 2020<August 12, 2020 Feature: The Personal Regeneration and Cultural Preservation of Anachnid’s ‘Dreamwaver’ by Frankie Rose
August 12, 2020<August 11, 2020 Interview: NYC Producer Mindchatter Searches For a Brighter World With His “Night Goggles” by Josh Weiner
August 12, 2020<August 12, 2020 Keep Your Eyes Open: A Conversation with Sarah Jarosz by Mariel Fechik
For the Love of Music
For the Love of Music
