August 17, 2018<August 31, 2018 Atwood Magazine’s Weekly Roundup: August 17, 2018 by Atwood Magazine Staff
7.9 August 17, 2018<August 17, 2023 Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering by Josh Weiner
August 17, 2018<August 17, 2018 Premiere: Basking in SPIES’ Indulgent & Vivid “Ho Chi Minh” Video by Mitch Mosk
August 17, 2018<August 17, 2018 Premiere: Sunshine & The Rain’s Dazzling “It’s All in Your Mind” by Mitch Mosk
August 17, 2018<August 17, 2018 Today’s Song: Navigate the Toxic Intimacy of Jaded Youth with Roy Blair’s “Kansas” by Jesse Herb
August 17, 2018<October 12, 2018 Interview with Bishop Briggs: Passion, Integrity, and Musical Vulnerability by Mitch Mosk
August 16, 2018<September 6, 2018 Interview: Broods Dive into Juicy Anthem “Peach” with Joie de Vivre by Mitch Mosk
August 16, 2018<August 16, 2018 Album Premiere: Armies’ Dance-Friendly Gospel-Inspired Nervous Breakdown, ‘Armies II’ by Mitch Mosk
August 16, 2018<August 16, 2018 Premiere: Aüva Mesmerize with Purpose & Attitude on “Scummm” by Luke Pettican
August 16, 2018<August 16, 2018 Album Premiere: Embark on Neo New Wave Time Travel with Pompeya’s ‘Dreamers’ by Ilana Kalish
August 16, 2018<August 16, 2018 Premiere: Questioning Memories and Continuations of the Past with Tom West’s “King Cambyses” by Frankie Rose
August 16, 2018<August 16, 2018 Today’s Song: Heartbreak & Hope Collide in Wild Nothing’s “Letting Go” by Gabi Montiel
August 15, 2018<August 15, 2018 Immersive & Expansive: Diving into A Delicate Motor’s ‘Fellover My Own’ by Mitch Mosk
August 15, 2018<September 13, 2018 Our Take: Love, Light, and the Importance of Jason Mraz’s ‘Know.’ by Mitch Mosk
August 15, 2018<August 15, 2018 Premiere: The Bourgeois Indulge in Darkness on “My Old Friend Misery” by Mitch Mosk
For the Love of Music
For the Love of Music
