7.1 August 19, 2019<December 15, 2020 Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man by Josh Weiner
August 19, 2019<August 19, 2019 Life as an ’80s Movie” EXNATIONS’ ‘Pink Haze’ and the Power of Nostalgia by Frankie Rose
August 19, 2019<August 19, 2019 Premiere: Sam DeRosa Spreads Her Wings with Intimate “Baby I Know” by Mitch Mosk
August 19, 2019<August 19, 2019 Premiere: ThebandIvory’s “After It’s Said and Done” Is a Sagely Indie Rock Aria by Ilana Kalish
August 19, 2019<August 19, 2019 Today’s Song: Vansire Muse About Modern Life with “Metamodernity” by Madison Vettorino
August 16, 2019<August 16, 2019 Atwood Magazine’s Weekly Roundup: August 16, 2019 by Atwood Magazine Staff
August 16, 2019<April 16, 2020 Premiere: The Tenderness, Turmoil, and Lilting Beauty of Wes Reeve’s Debut “Honey, I” by Mitch Mosk
August 16, 2019<August 16, 2019 Premiere: Kyle Donovan Savors Youth with “Be a Boy” by Kelly McCafferty Dorogy
August 16, 2019<August 15, 2019 Today’s Song: The Guiding Light of Black Match’s Intimate “Cover Your Eyes” by Mitch Mosk
August 15, 2019<August 15, 2019 Premiere: PARACHUTER’s “Trouble Talking” Is an Upbeat Portal into Another World by Frankie Rose
9 August 15, 2019<December 15, 2020 Album Premiere: The Hazy Warm Wash of Shikoswe’s Debut ‘Back in the Tall Grass’ by Mitch Mosk
August 15, 2019<August 15, 2019 Premiere: De La Noche’s “Blue” is a Funk and Synth-Laced Anthem of Heartbreak by Adrian Vargas
August 15, 2019<August 15, 2019 Today’s Song: Mallrat’s Perfect Recipe for Love in “Charlie” by Nicole Almeida
For the Love of Music
For the Love of Music
