November 23, 2024<November 23, 2024 “Now is the time for me to get what I want”: The Quiet Confidence of Kim Deal’s “A Good Time Pushed” by Stephanie Bento
November 22, 2024<November 22, 2024 Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce by Mitch Mosk
November 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
November 22, 2024<November 22, 2024 Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On by Josh Bloom
November 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
November 21, 2024<November 21, 2024 “I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ by Isabella Le
November 21, 2024<November 21, 2024 Nostalgia Tracks: Labi Siffre’s “Bless the Telephone” Is the Perfect Love Song by Audrey Connelly
November 21, 2024<November 22, 2024 Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound by Liv Goodbody
November 21, 2024<November 21, 2024 Premiere: flipturn Shine Bright & Burn Out on “Sunlight,” an Explosive Confrontation With Untended Emotional Wounds by Guest Writer
November 20, 2024<November 27, 2024 Atwood Magazine’s Weekly Roundup: November 20, 2024 by Atwood Magazine Staff
November 20, 2024<November 20, 2024 “Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos by Mitch Mosk
November 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
November 19, 2024<November 19, 2024 Interview: George “Funky” Brown of Kool & The Gang Achieves a Profound Posthumous Send-Off With ‘Where I’m Coming From’ by Josh Weiner
November 19, 2024<November 19, 2024 Nieve Ella, the GOAT of Grunge Indie Pop, Arrives With “Ganni Top (She Gets What She Needs)” by Brianna Corrine
November 18, 2024<November 18, 2024 “Born to be young and reckless”: Basking in the Heat of Never Ending Fall’s Cinematic Heartbreak Anthem “ISABEL” by Mitch Mosk
For the Love of Music
For the Love of Music
