November 26, 2025<November 26, 2025 From ‘Vessel’ to ‘Breach’: The Ten-Year Journey That Led Twenty One Pilots to Their First #1 Alternative Album by Danielle Holian
November 25, 2025<November 25, 2025 “Sometimes Chaos Has a Certain Swagger”: Bloomington’s Just Penelope Debut with “June, July” and a Sweaty, Searing, Unapologetic Indie Rock Sound by Mitch Mosk
November 25, 2025<November 25, 2025 “The Sister I Never Had – Taylor Swift and Me”: An Essay by Danielle Holian by Danielle Holian
November 25, 2025<November 25, 2025 “We couldn’t imagine doing this alone”: Midnight Til Morning’s ‘Afterglow’ Is a Testament to Brotherhood, Trust, & the Bonds That Built the Band by Miranda Urbanczyk
November 25, 2025<November 25, 2025 “I’m Gonna Try Some Good Living”: The Paper Kites Find Soft Hope and Homecoming on “When the Lavender Blooms,” a Warm Exhale of Light, Gratitude, & Grace by Mitch Mosk
November 24, 2025<November 24, 2025 Artist to Watch: Henry Grace Emerges with “Say Something Mean,” a Soul-Stirring Song of Humanity, Heat, & Hard-Won Clarity by Mitch Mosk
November 24, 2025<November 24, 2025 “Being Able to Do What You Love Is Happiness”: Mei Ehara Takes a Creative Leap with ‘All About McGuffin’ by Aileen Goos
November 24, 2025<November 24, 2025 You Can Hear It, Too, If You’re Sincere: Soundtracking Superman by Aidan Moyer
November 24, 2025<November 24, 2025 Music & Cities: New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’ in New York City by David Buyze
November 24, 2025<November 24, 2025 Kevin Jonas’ “Changing” Is the Quiet Evolution Fans Always Knew He Had by Danielle Holian
November 22, 2025<November 22, 2025 “It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation by Mitch Mosk
November 21, 2025<November 21, 2025 “Just Keep Going”: BEL on Chasing, Making, & Releasing Her ‘Holy Grail,’ and the Quiet Determination at the Heart of Her Debut LP by Mitch Mosk
November 21, 2025<November 26, 2025 Atwood Magazine’s Weekly Roundup: November 21, 2025 by Atwood Magazine Staff
November 21, 2025<November 21, 2025 “We Wanted to Come Out of the Gates Really Hot”: The Brook & The Bluff Ignite a New Era with “Super Bowl Sunday,” a Hard-Hitting, High-Voltage Anthem of Motion & Self-Reckoning by Mitch Mosk
November 21, 2025<November 21, 2025 The Pretty Reckless Reimagine the Holidays with ‘Taylor Momsen’s Pretty Reckless Christmas’ by Danielle Holian
For the Love of Music
For the Love of Music
