January 5, 2021 January 5, 2021 “Powerful, Honest, & Intimate”: Inside Foxanne’s Visceral Debut Album ‘It’s real (I knew it)’ by Mitch Mosk
January 5, 2021 January 5, 2021 Artist to Watch: Maddy Storm Faces Change Headfirst on New Song “The Art of Giving Up” by Lexi Lane
January 5, 2021 January 5, 2021 Today’s Song: Matilda Eyre’s Enchanting & Vulnerable “Let Me Be” by Hermione Kellow
8.3 January 4, 2021 January 4, 2021 Our Take: Bruce Springsteen’s ‘Letter to You’ Is a Neat Parcel of Mortality, Youth, and The Boss by Bethan Harper
January 4, 2021 January 4, 2021 Today’s Song: Pinc Louds Offer Heart and a City’s Soul with “Spellbound” by Oliver Crook
December 31, 2020 December 31, 2020 The Best Songs of 2020 (According to Anthony) by Anthony Kozlowski
December 29, 2020 December 28, 2020 Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES” by James Crowley
December 29, 2020 December 28, 2020 Review: Seeking Guidance with Sufjan Stevens’ ‘The Ascension’ by Francesca Rose
December 24, 2020 December 24, 2020 Today’s Song: cehryl’s Intimate Song “angels (emily)” Is a Visceral Indie Pop Upheaval by Mitch Mosk
December 23, 2020 December 23, 2020 Today’s Song: Nebraska Rapper JVCKJ Spins Heartbreak into Moving Music on “You Lie” by Josh Weiner
December 22, 2020 December 22, 2020 Interview: Songhoy Blues’ ‘Optimisme’ Provides the Hope & Groove We Need Right Now by Oliver Crook
December 22, 2020 December 24, 2020 Atwood Magazine Presents Mistletones: 2020’s Best New Holiday Songs by Staff
December 22, 2020 December 22, 2020 Today’s Song: How Keesh Immortalizes Love in “Ode to Fred” by Dimitra Gurduiala
8 December 22, 2020 December 21, 2020 Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars by Emily Algar
For the Love of Music
For the Love of Music
