September 9, 2026<September 9, 2026 “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony by Mitch Mosk
September 8, 2026<September 8, 2026 “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption by Mitch Mosk
September 8, 2026<September 8, 2026 On the Edge of Becoming: Television Skies and the Sound of New York in Motion by Lily O'Delia
September 8, 2026<September 7, 2026 “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock by Mitch Mosk
September 7, 2026<September 7, 2026 Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole! by Mitch Mosk
September 7, 2026<September 6, 2026 “Got Myself My Mojo Back”: Oh Pray Tell Summon Protection and Ancestral Memory on “Poor Black Woman Blues” by Lily O'Delia
September 6, 2026<September 6, 2026 OLIWIA MOON Blurs the Line Between Sleep and Reality on “Lucid Dream” by Joe Beer
September 5, 2026<September 5, 2026 The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car” by Lily O'Delia
September 4, 2026<September 8, 2026 Atwood Magazine’s Weekly Roundup: September 4, 2026 by Atwood Magazine Staff
September 4, 2026<October 7, 2026 “It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms by Mitch Mosk
September 3, 2026<September 3, 2026 “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance by Mitch Mosk
September 3, 2026<September 3, 2026 “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open by Lily O'Delia
September 3, 2026<September 3, 2026 Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ by Atwood Magazine Staff
September 2, 2026<September 2, 2026 “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth by Mitch Mosk
For the Love of Music
For the Love of Music
