July 31, 2026<August 1, 2026 “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions by Mitch Mosk
July 31, 2026<July 31, 2026 Mad Cool Festival 2026: Ten Years of Music and World Community by Michael Greco
July 31, 2026<July 31, 2026 Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ by Atwood Magazine Staff
July 31, 2026<July 31, 2026 The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs by Aileen Goos
July 31, 2026<July 31, 2026 “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” by Mitch Mosk
July 30, 2026<July 30, 2026 “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ by Mitch Mosk
July 30, 2026<July 30, 2026 “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” by Mitch Mosk
July 30, 2026<July 30, 2026 “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World by Mitch Mosk
July 30, 2026<July 30, 2026 “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ by Jake Fewx
July 30, 2026<July 30, 2026 “Being in a State of Transit Shakes Things Up”: Parlour Magic Bring a World of Influence Home with the Absorbing Synthpop of ‘The Embassy’ by Josh Weiner
July 29, 2026<July 29, 2026 “Some Things Have to Break”: Nigel Godrich and Dhani Harrison Take Flight as Dragonflies with Spellbinding Debut Single “Slower” by Aidan Moyer
July 29, 2026<July 29, 2026 “If You Can’t Laugh, Then You’ll Cry”: My Giddy Aunt Rally Against Collapse on “Always Something Falling Apart,” a Protest Anthem for an Uncertain Future by Mitch Mosk
July 29, 2026<July 31, 2026 “A Bow of Optimism”: Al Nicol Bathes Hope in Sweet, Soul-Stirring Light on “Blue Stained Glass” ft. lighthearted by Mitch Mosk