April 17, 2026<April 18, 2026 Atwood Magazine’s Weekly Roundup: April 17, 2026 by Atwood Magazine Staff
April 17, 2026<April 17, 2026 “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral by Mitch Mosk
April 16, 2026<April 16, 2026 Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point by Damien Joyce
April 16, 2026<April 16, 2026 “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye by Mitch Mosk
April 16, 2026<April 16, 2026 Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” by Charlie Recksieck
April 16, 2026<April 16, 2026 “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss by Dusty Hayes
April 16, 2026<April 16, 2026 “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection by Mitch Mosk
April 15, 2026<April 15, 2026 “I Pride Myself on Healthily Hating”: Alemeda Asserts Her Worth on “Broken Record,” a Blistering Rejection of Cheap Love by Mitch Mosk
April 15, 2026<April 15, 2026 Devil’s in the Details: Inside Esme Rose’s Bewitching ‘x3’ EP by Danielle Holian
April 15, 2026<April 15, 2026 “I Wanna Be a 7-Foot Zombie”: The Strokes Chase the Overstimulation of Modern Life on “Going Shopping,” the Kinetic Lead Single Off Their 7th Album ‘Reality Awaits’ by Mitch Mosk
9.4 April 14, 2026<April 14, 2026 “Life Is a Joke, and You Are the Punch”: Fantastic Cat Capture the Messy Beauty of Being Alive on ‘Cat Out of Hell,’ Deeply Human Folk Rock Triumph by Mitch Mosk
April 14, 2026<April 14, 2026 Life Is Too Short to Be Comfortable: Whiskey Flower Turn Defiance into Fuel on ‘double yellow lines’ by Chloe Robinson
April 14, 2026<April 14, 2026 All the Right Feels: Victoryland’s ‘My Heart Is a Room With No Cameras in It’ Embraces the Imperfections of Humanity With an Ignited Soundscape of Love, Humor, & Curiosity by Jonah Evans
April 14, 2026<April 14, 2026 “You End Up Going Places You’d Never Get to on Your Own”: Hannah Hausman & Guthrie Galileo Collide to Create a Whole New World on ‘Move From Love’ by Aileen Goos
For the Love of Music
For the Love of Music
