December 29, 2017<January 25, 2018 Atwood Magazine’s 2017 Albums of the Year by Atwood Magazine Staff
December 21, 2017<December 21, 2017 Premiere: treesreach Dwell in the Somber Warmth of “Crowds and Loud Noises” by Mitch Mosk
December 20, 2017<December 20, 2017 Today’s Song: Oddnesse’s “I Used To” Is a Poignant & Refreshing Breakup Song by Mitch Mosk
9 December 20, 2017<April 17, 2023 Music You Should Know: TENDER Explore Peace and Discord Through ‘Modern Addiction’ by Maggie McHale
December 19, 2017<December 19, 2017 Today’s Song: Weezer’s “Get Right” is the Perfect Bummer Song by Monica Mellon
December 19, 2017<January 3, 2018 Premiere: DENNY Hail “Girls Like You” with Youth, Passion, and Reckless Abandon by Mitch Mosk
December 18, 2017<December 18, 2017 Today’s Song: Mahalia Is Casual and Effortless on “No Pressure” by Matthew Tordoff
December 15, 2017<December 15, 2017 This Just In: CAPPA Flexes Her Confidence & Charisma in “Waste My Time” by Mitch Mosk
December 15, 2017<December 15, 2017 This Just In: PHANGS Can’t Take His “Eyes Off You” by Maggie McHale
December 15, 2017<January 8, 2019 Atwood Magazine’s Best Music Videos of 2017 by Atwood Magazine Staff
December 15, 2017<December 20, 2017 Atwood Magazine’s Weekly Roundup: December 15, 2017 by Atwood Magazine Staff
December 15, 2017<December 15, 2017 Premiere: Peyton McMahon’s “Tell Me Why” Blends Fire and Fury by Mitch Mosk
December 15, 2017<December 18, 2017 Today’s Song: The Agonizing, Underlying Truth in Aisha Badru’s Video for “Bridges” by Baylee Less
December 14, 2017<January 3, 2018 This Just In: “From Under Liquid Glass,” Peace’s Mental Health Anthem by Mitch Mosk
December 14, 2017<December 14, 2017 Premiere: Chris Zurich Finds Closure in the Fond Farewell of “Our Routine” by Mitch Mosk
For the Love of Music
For the Love of Music
