January 8, 2024<January 8, 2024 Artist to Watch: Wisp Delivers Shiver-Inducing Shoegaze With a Tender, Loving Twist in “Once then we’ll be free” by Mitch Mosk
January 7, 2024<January 8, 2024 The River Flows At Its Own Speed: An Interview With Dhani Harrison by Aidan Moyer
January 7, 2024<January 13, 2024 Today’s Song: Restraint and Release in Hovvdy’s “Bubba” by Hannah Burns
January 6, 2024<January 5, 2024 Today’s Song: Danny Dwyer’s “Asthma” (Billy Lemos Remix) Is a Celebration of Life & Friendship by Eric Schuster
January 5, 2024<January 5, 2024 Premiere: B-Drop Worldwide Showcases Pool Surfers & Wingtip by Mitch Mosk
January 5, 2024<January 5, 2024 Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP by Lauren Hicks
January 5, 2024<January 4, 2024 Today’s Song: Donna Lewis Unveils Her Radiant & Remarkable “Corridors” With Holmes Ives by Chloe Robinson
January 3, 2024<January 3, 2024 Today’s Song: Jack Harlow’s “Lovin on Me” Has Roots Tied Down in Detroit by Guest Writer
December 22, 2023<December 22, 2023 Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure by Mitch Mosk
December 21, 2023<December 21, 2023 Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 2! by Atwood Magazine Staff
December 21, 2023<January 4, 2024 Atwood Magazine’s Top Artist Discoveries of 2023 by Atwood Magazine Staff
December 20, 2023<January 8, 2024 Today’s Song: TRISHES’ Otherworldly “Astrology” Explores a Religious Belief and a Celestial Bond with the Universe by Chloe Robinson
December 20, 2023<February 23, 2024 Ladies and Gentlemen, Sid Simons Is “not singing for you” by Noah Berghammer
For the Love of Music
For the Love of Music
