December 9, 2023<December 9, 2023 Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture” by Jaclyn Kelly
December 9, 2023<December 12, 2023 Atwood Magazine’s Weekly Roundup: December 8, 2023 by Atwood Magazine Staff
December 8, 2023<December 8, 2023 Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’ by Mitch Mosk
December 8, 2023<December 8, 2023 Track-by-Track: Luke Beling Unpacks the Tension, Pain, & Hope of Debut Album ‘A Stone in the Mouth of the Ocean’ by Mitch Mosk
December 8, 2023<December 11, 2023 “I feel like I did when I was 16 again”: Coyle Girelli Rides High in ‘Museum Day,’ an Album-Sized Ode to NYC by Mitch Mosk
December 8, 2023<December 8, 2023 Interview: Neru Thee Fourth Fugee Is a Baltimore Native Looking to Make Her New Jersey Idols Proud by Josh Weiner
December 8, 2023<December 8, 2023 Artist to Watch: TEE Dwells in Love’s Depths and Gets Caught in the ‘LOOP’ by Mitch Mosk
December 8, 2023<December 12, 2023 Las Vegas Heroes The Killers Introduce ‘Rebel Diamonds’ With Striking New Single “Spirit” by Beau Hayhoe
December 7, 2023<December 7, 2023 Track-by-Track: Wish Queen Crafts a Cathartic Dreamworld in ‘Saturnalia,’ Her Transformative Debut Album by Mitch Mosk
December 7, 2023<December 7, 2023 EP Review: ‘Part II: Nightmares and Ice Cream’ Sees Palace at Their Most Vulnerable by Audrey Connelly
December 7, 2023<December 7, 2023 Review: PJ Aviles Is Willing to Try ‘Anything’ on His Debut Album by Laurent Chavannes
December 7, 2023<December 7, 2023 Today’s Song: KTJ & CARLY Share Their Gracefully Poignant “Sundays” by Chloe Robinson
December 6, 2023<December 6, 2023 Today’s Song: Bush Unpack Impermanence & the Speed of Life in “Nowhere to Go But Everywhere” by Mitch Mosk
December 6, 2023<December 6, 2023 Track-by-Track: S. L. Houser Flourishes on Liberating Debut Solo EP ‘Hibiscus’ by Marissa DeLeon
December 6, 2023<December 11, 2023 “This record is all about love’s humanity”: Stephen Sanchez Is Making Hopeless Romance Cool Again With ‘Angel Face’ by Mitch Mosk
For the Love of Music
For the Love of Music
