May 28, 2020<May 27, 2020 Premiere: Peter Stone’s Debut Single “Fells Reservoir” Is a Love Story Tinged with Summer Tones by Alicia Bugallo
May 27, 2020<May 27, 2020 Video Premiere: There Is Light At the End of “The Tunnel” by French for Rabbits by Nina Schaarschmidt
May 27, 2020<May 27, 2020 Premiere: Shira Elias Emerges with Her Confident, Sultry Debut ‘GOODS the EP’ by Mariel Fechik
May 27, 2020<May 26, 2020 Feature: The Intimate, Everyday Wonder of Skylar Gudasz’s Moving ‘Cinema’ by Mitch Mosk
May 26, 2020<May 26, 2020 Premiere: Seattle’s HARLEY Illustrate Navigating Heartsickness on “HYPNOS” by Maggie McHale
May 21, 2020<August 4, 2020 Premiere: London’s Luca Wilding Debuts with Raw, Impassioned “Heartachers” by Mitch Mosk
May 21, 2020<May 21, 2020 Premiere: Raw and Impassioned, Desmerelda’s “Welcome to the Establishment” Provides a Much Needed Escape by Adrian Vargas
May 21, 2020<May 21, 2020 Premiere: Melbourne’s Stonefox Are Intimate & Raw in Stripped “Time” Acoustic Video by Mitch Mosk
May 20, 2020<May 20, 2020 Feature: Emily Keener’s Stunning & Stirring Sophomore Album ‘I Do Not Have to Be Good’ by Mitch Mosk
May 20, 2020<September 10, 2020 Premiere: The Sea The Sea’s Intimate “Parachute” Is a Beautiful, Enchanting Lullaby by Mitch Mosk
May 19, 2020<May 19, 2020 Premiere: Arther Blue Evokes Rainy-Day Romance Vibes in “Wet Shoe” by Mitch Mosk
May 19, 2020<May 18, 2020 Premiere: James Gillespie’s “Rescue Me” Music Video Is As Atmospheric As It Is Mysterious by Bethan Harper
May 18, 2020<May 18, 2020 Premiere: Boyish’s “FUCK YOU HEATHER” Is a Stunning, Raw, & Impassioned Upheaval by Mitch Mosk
May 18, 2020<May 18, 2020 EP Premiere: DoomFolk StarterKit’s ‘SleepyGhost’ Is a Beautiful Result of Creating Within Time Constraints by Lowndes Commander
May 15, 2020<May 15, 2020 Premiere: The Visceral, Poetic Beauty of “Relaxing Apartments” & Ten Kills the Pack’s Debut EP ‘Force Majeure’ by Mitch Mosk
For the Love of Music
For the Love of Music
