March 19, 2026<March 19, 2026 Live Review: Milk & Bone Take Us an Emotional Journey, Dancing All the Way by Oliver Crook
March 17, 2026<March 17, 2026 Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ by Atwood Magazine Staff
March 13, 2026<March 13, 2026 ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet by Danielle Holian
March 12, 2026<March 12, 2026 Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ by Atwood Magazine Staff
March 11, 2026<March 11, 2026 You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ by Aidan Moyer
March 10, 2026<March 10, 2026 With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” by Guest Writer
7.3 March 4, 2026<March 4, 2026 Our Take: Bruno Mars Delivers Charming, Slow-Burning Fun on Fourth Solo Album ‘The Romantic’ by Josh Weiner
March 2, 2026<March 2, 2026 ‘The Night Green Side of It’: R.A.P. Ferreira and Kenny Segal Strike Gold Once Again on Another High-Concept Hip-Hop Collaboration by Adam Davidson
February 13, 2026<February 13, 2026 Lucy Kruger & The Lost Boys Traverse Sticky-Sweet Sonics on ‘Pale Bloom’ by Marissa DeLeon
February 13, 2026<February 13, 2026 Angel Du$t Harken Back to Their Hardcore Roots on Ripping New Album ‘COLD 2 THE TOUCH’ by James Crowley
February 11, 2026<February 11, 2026 Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency by Emma Schoors
February 6, 2026<February 6, 2026 When Home Still Hurts: Sydney Ross Mitchell’s ‘Cynthia’ is an EP About Leaving – and Being Seen by Nicolle Knapová
February 3, 2026<February 7, 2026 “I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart by Mitch Mosk
January 21, 2026<January 23, 2026 “Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love by Mitch Mosk
For the Love of Music
For the Love of Music
