September 11, 2018<September 11, 2018 Review: Gabriel Kahane’s Evocative and Intimate ‘Book of Travelers’ by Mariel Fechik
September 10, 2018<September 11, 2018 Review: PHANGS Proves ‘N°1 Loves You’ Like He Does by Maggie McHale
September 6, 2018<September 6, 2018 Premiere: The Beautiful, Raw Depths of Seafret’s Monsters EP by Mitch Mosk
September 5, 2018<October 10, 2018 Royal Teeth Are Never Gonna Quit: An Interview about Perseverance & Change by Mitch Mosk
August 27, 2018<June 29, 2024 Roundtable Discussion: A Review of Ariana Grande’s ‘Sweetener’ by Atwood Magazine Staff
August 24, 2018<September 13, 2018 Interview: Timothy Heller Dives into Her Impassioned New Anthem “See Ya!” by Mitch Mosk
August 24, 2018<August 24, 2018 Phoebe Bridgers, Julien Baker, & Lucy Dacus Prove There’s Power in Numbers with boygenius Supergroup by Abby Jones
August 24, 2018<October 9, 2018 Review: Hippo Campus Explore New Horizons on “Passenger” and “Bambi” by Meredith Nardino
August 23, 2018<August 23, 2018 Premiere: Deeper Connections in The Northern Empty’s Intimate “Molecules” by Mitch Mosk
August 23, 2018<August 24, 2018 Our Take: Joey Dosik’s Impeccably Stylized Debut ‘Inside Voice’ Hits All of the Right Notes by Adrian Vargas
August 22, 2018<August 22, 2018 Our Take: Moses Sumney’s ‘Black in Deep Red, 2014’ Captures the Tumult & Triumph of Protest by Nick Baron
August 22, 2018<August 29, 2018 Pop, Frivolity, & Attitude: A Review of The 1975’s “TOOTIMETOOTIMETOOTIME” by Atwood Magazine Staff
August 21, 2018<August 21, 2018 Review: Beach Bunny Deserve a Crown for Nostalgic ‘Prom Queen’ EP by Abby Jones
August 21, 2018<June 29, 2024 Roundtable Discussion: A Review of Mitski’s ‘Be the Cowboy’ by Atwood Magazine Staff
August 20, 2018<August 20, 2018 LA’s Liily Debut “Toro” with Feverish Chaos and Hard Rock Fury by Mitch Mosk
For the Love of Music
For the Love of Music
