6.7 September 5, 2023<September 5, 2023 Our Take: London’s EASYFUN Shocks and Energizes With New ‘ELECTRIC EP’ by Julia Dzurillay
8.9 August 22, 2023<August 22, 2023 Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’ by Marissa DeLeon
8.9 August 10, 2023<August 10, 2023 Our Take: YONAKA’s ‘Welcome to My House’ Finds Vindication in Reclaiming Power by Kendall Graham
8.6 August 9, 2023<August 9, 2023 Our Take: Paris Texas Rise to Their Moment on Debut Album ‘MID AIR’ by Leo Culp
9.6 July 6, 2023<July 6, 2023 Our Take: Indigo De Souza Reaches Enlightenment in ‘All of This Will End’ by Nic Nichols
8 June 13, 2023<June 13, 2023 Our Take: Christine and the Queens’ ‘ PARANOÏA, ANGELS, TRUE LOVE’ Tackles Self-Discovery, Love, & ‘Angels in America’ by Julia Dzurillay
8.5 May 15, 2023<May 15, 2023 Our Take: Metallica Return From Hiatus in Dark & Energetic Fashion on ’72 Seasons’ by Josh Weiner
9.1 May 1, 2023<May 1, 2023 Our Take: The National Fight Through the Darkness to Deliver Stunning ‘First Two Pages of Frankenstein’ by Beau Hayhoe
7.1 April 26, 2023<April 30, 2023 Our Take: Jimin Sheds His Skin with ‘FACE,’ His First Solo Project Outside of BTS by Julia Dzurillay
8.6 March 17, 2023<April 30, 2023 Our Take: On ‘Cracker Island,’ Gorillaz’ Chest-Thumping Causes Major Waves by Josh Weiner
8.3 February 20, 2023<February 20, 2023 Our Take: Oddisee Does the DC Rap Scene Proud on ‘To What End’ by Josh Weiner
7.1 January 10, 2023<January 10, 2023 Our Take: Brace Yourself for Jo-Jo & The Teeth’s High Octane Debut Album, ‘No More Good News’ by Dominic Kureen
8.6 January 4, 2023<September 20, 2023 Our Take: SZA Shines on Outstanding Sophomore Album ‘SOS’ by Josh Weiner
9.4 November 16, 2022<November 16, 2022 Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise by Sam Franzini
9.1 October 28, 2022<March 11, 2023 Our Take: Taylor Swift Stops Time with 10th Album ‘Midnights’ by Nic Nichols
For the Love of Music
For the Love of Music
