February 20, 2025<February 20, 2025 This Just In: On “High Fashion,” Addison Rae Chooses Hermes Over Hedonism by Brian Denney
February 18, 2025<February 18, 2025 Live Review: James Bay Electrifies a Sold Out Crowd at London’s OVO Arena Wembley by Rachel Leong
February 16, 2025<February 16, 2025 The Love You Make: Inside Paul McCartney’s Valentine’s Show at Bowery Ballroom by Aidan Moyer
February 13, 2025<February 13, 2025 Track-by-Track: Magic Bronson Offer a Motivating Antidote With ‘Good Dogs’ by Joe Beer
February 7, 2025<February 7, 2025 Rock Star Power and …Seinfeld?: A Candid Review of ‘Sharon Van Etten & The Attachment Theory’ by Josh Bloom
February 6, 2025<February 6, 2025 Live Review: Making a Hot Fuss in Las Vegas With The Killers by Emma Schoors
9.7 January 23, 2025<January 23, 2025 Our Take: Mia Day’s ‘Hellier, Forever’ Is a Timeless Ode to ‘90s Grunge and the Supernatural by Noa Jamir
January 21, 2025<January 21, 2025 This Just In: Samia Treads Harder Ground With Piercing New Song, “Bovine Excision” by Rachel Leong
January 16, 2025<January 16, 2025 “Show me all your smart blood”: Wednesday’s “Fate Is…” Tows the Line Between Snark & Vulnerability by Juls Patterson
January 15, 2025<January 15, 2025 Roundtable Discussion: A Review of Suki Waterhouse’s ‘Memoir of a Sparklemuffin’ by Atwood Magazine Staff
January 14, 2025<January 14, 2025 Music You Should Know: Chiara Savasta Projects Energized Self-Assurance With ‘brand new girl, brand new machine’ EP by Frankie Rose
January 7, 2025<January 7, 2025 Review: ‘SOS Deluxe: LANA,’ SZA’s Continued Ruminations on Love, Insecurity, & Heartbreak by Marc Maleri
9.6 January 7, 2025<January 7, 2025 Our Take: Bad Bunny’s ‘DeBÍ TiRAR MáS FOToS’ Is an Unapologetic Love Letter to Puerto Rico by Julia Dzurillay
December 20, 2024<December 20, 2024 Roundtable Discussion: A Review of Kendrick Lamar’s ‘GNX’ by Atwood Magazine Staff
December 12, 2024<December 12, 2024 Roundtable Discussion: A Review of Linkin Park’s ‘From Zero’ by Atwood Magazine Staff