August 22, 2024<August 22, 2024 Roundtable Discussion: A Review of Childish Gambino’s ‘Bando Stone and the New World’ by Atwood Magazine Staff
7 August 20, 2024<August 21, 2024 Our Take: Ice Spice Delivers an Energetic Sort-of-Full-Length Debut, ‘Y2K!’ by Josh Weiner
August 20, 2024<August 20, 2024 Review: Clairo Revitalizes Lana Del Rey’s “Brooklyn Baby” by Marc Maleri
August 20, 2024<August 20, 2024 Live Review: Celebrating Everything Old & New at The Greeting Committee Concert by Hannah Burns
August 20, 2024<August 20, 2024 No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack by Aidan Moyer
August 15, 2024<August 15, 2024 Review: Footballhead Deliver a Ripping Alt-Rock Record on ‘Before I Die’ by James Crowley
August 15, 2024<August 14, 2024 Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again… by Frederick Bloy
August 14, 2024<August 14, 2024 The Killers Turn the “Bright Lights” on in a Larger-Than-Life Anthem of Passion, Purpose, & Chasing Dreams by Mitch Mosk
August 12, 2024<August 12, 2024 Seen a Shooting Star Tonight: 2024’s Outlaw Music Festival Rocks New Jersey by Aidan Moyer
August 12, 2024<August 12, 2024 One Year of ‘Blue Angel Sparkling Silver’: Revisiting Quiet Light’s Sweeping Sonic Cosmos by Rachel Leong
August 12, 2024<August 12, 2024 Review: Osheaga 2024 Rocked, Sweated, and Belonged to Chappell Roan by Oliver Crook
August 12, 2024<August 12, 2024 Review: ‘Blur: To the End’ Is a Bad Doc About a Brilliant Band by Liv Goodbody
August 9, 2024<August 9, 2024 Live Review: Foo Fighters Remain Steadfast in Giving “Everything or Nothing at All” at Petco Park by Isabella Le
8 August 8, 2024<August 8, 2024 Our Take: The Playfully Explosive Musings of Remi Wolf and ‘Big Ideas’ by Frankie Rose
August 5, 2024<August 5, 2024 Roundtable Discussion: A Review of Glass Animals’ ‘I Love You So F***ing Much’ by Atwood Magazine Staff
For the Love of Music
For the Love of Music
