September 25, 2024<September 25, 2024 Review: Dora Jar’s Debut Album ‘No Way to Relax When You Are on Fire’ Cements Her As a Trailblazer & All-Around Champion of Pop by Olivia Martinez
8 September 25, 2024<September 24, 2024 Our Take: LL Cool J Cements Hip-Hop Legend Status With ‘THE FORCE’ by Josh Weiner
September 23, 2024<September 23, 2024 Roundtable Discussion: Chappell Roan’s ‘The Rise and Fall of a Midwest Princess’ Turns 1 by Atwood Magazine Staff
September 23, 2024<September 23, 2024 Review: Melt-Banana Continue a 30-Year Streak of Excellence With ‘3+5,’ a Bold, Creative, & Face-Melting Noise Rock Masterpiece by Jake Fewx
September 20, 2024<September 24, 2024 Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’ by Atwood Magazine Staff
September 20, 2024<September 20, 2024 An Album Oozing With Dangerous Ecstasy, ‘In Waves’ Is an Intense Dive into Jamie xx’s New Sound by Liv Goodbody
September 18, 2024<September 18, 2024 Beyond a ‘Reasonable Doubt’: Why Jay-Z’s Debut Is the Greatest Rap Album of All Time by Eric Schuster
September 18, 2024<September 18, 2024 “Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability by Mitch Mosk
September 17, 2024<September 17, 2024 Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool by Christine Buckley
September 14, 2024<September 15, 2024 Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On by Emma Schoors
September 12, 2024<September 12, 2024 “Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves by Emma Schoors
September 10, 2024<September 10, 2024 Roundtable Discussion: A Review of Fontaines D.C.’s ‘Romance’ by Atwood Magazine Staff
September 10, 2024<September 10, 2024 Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year by Ankita Bhanot
September 10, 2024<September 10, 2024 Review: Mensing & siii3eyes Revel in Melancholy on ‘No Friends,’ a Colorful, Contemplative, & Resolute Masterclass In Lo-fi Hip-Hop by Jake Fewx
September 6, 2024<September 6, 2024 ‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album by Emma Rayder
For the Love of Music
For the Love of Music
