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Isaac Dunbar 'Beep Beep Repeat' © Thom Kerr
Music, ReviewsMay 6, 2024<May 5, 2024

“A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long

by Mitch Mosk
Eden Rain © 2024
Music, Reviews, This Just InMay 6, 2024<May 5, 2024

“If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament

by Mitch Mosk
Joy Oladokun © Republic Records
Music, Reviews, This Just InMay 5, 2024<May 5, 2024

“I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale

by Mitch Mosk
Maya Ixta © Devin Dygert
Columns, Music, Today's SongMay 5, 2024<May 5, 2024

Maya Ixta’s “Time” Is an Ethereal Serenade Examining the Effects of Time Dissolving

by Chloe Robinson
Kate Nash "Millions of Heartbeats" © Alice Baxley
Columns, Music, Today's SongMay 4, 2024<May 4, 2024

Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone

by Liv Goodbody
The Tortured Poets Department - Taylor Swift
Music, ReviewsMay 4, 2024<May 4, 2024

Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight

by Noah Wade
Atwood Magazine's Weekly Roundup | May 3, 2024
Columns, Features, Music, Weekly RoundupMay 3, 2024<May 7, 2024

Atwood Magazine’s Weekly Roundup: May 3, 2024

by Atwood Magazine Staff
What A Devastating Turn Of Events - Rachel Chinouriri
Debut, Features, Interviews, MusicMay 3, 2024<May 3, 2024

“Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut

by Jake Fewx
Skylar Simone © Nick Walker
Features, Interviews, MusicMay 3, 2024<May 3, 2024

Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry

by Mitch Mosk
Don't Forget Me - Maggie Rogers
Features, Music, Reviews, RoundtableMay 3, 2024<June 29, 2024

Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’

by Atwood Magazine Staff
Hermanos Gutiérrez © Jim Herrington
Columns, Music, Today's SongMay 3, 2024<May 2, 2024

Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again”

by Miles Campbell
The Libertines © Ed Cooke
Features, Interviews, MusicMay 3, 2024<May 2, 2024

“This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret

by Danny Vagnoni
Caitlyn Smith © Jace Kartye
Music, Reviews, This Just InMay 3, 2024<May 3, 2024

This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static”

by Emily Frances Algar
Dehd © Atiba Jefferson
Columns, Music, Today's SongMay 2, 2024<May 2, 2024

“I’ve been watching, catching fire”: Dehd’s Subtle, Restrained & Emotionally Complex “Alien” Gently Teases Fifth Album ‘Poetry’

by Hamish Monk
Mae Krell © Alex Lyon
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024

‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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