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brat - Charli XCX
Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024

Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion

by Atwood Magazine Staff
Parachutes - Coldplay
Columns, Music, Music & CitiesJune 18, 2024<February 11, 2025

Music & Cities: Coldplay’s ‘Parachutes’ in León, Mexico

by David Buyze
Polycrisis - Gloom Girl MFG
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’

by Oliver Crook
Amanda Bergman © Julia Mård
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It

by Rachel Leong
Blind Pilot © 2024
Columns, Features, Interviews, Music, Today's SongJune 18, 2024<June 24, 2024

“There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 14, 2024
Columns, Features, Music, Weekly RoundupJune 14, 2024<June 17, 2024

Atwood Magazine’s Weekly Roundup: June 14, 2024

by Atwood Magazine Staff
Aquilo 'Painkiller' © Harvey Pearson
Columns, Features, Interviews, Music, Today's SongJune 14, 2024<June 19, 2024

“A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Features, Interviews, MusicJune 14, 2024<June 14, 2024

“Sometimes vulnerability just looks like trash”: Ok Cowgirl Channel Raw Energy into Fiery Sound on “Little Splinters & “Forever”

by Mitch Mosk
LULLANAS © Luda Ronky
Debut, Features, Interviews, Track-by-TrackJune 14, 2024<June 14, 2024

Cathartic, Empathetic, & Emotive: Folk-Pop Twin Duo LULLANAS Shine a Soft, Soothing Light on Debut Album ‘Pretty Lies & Time Machines’

by Mitch Mosk
The Marías © Ashley Olah
Columns, Music, Today's SongJune 13, 2024<June 13, 2024

Today’s Song: The Marías Explore Intoxicating Detachment in “No One Noticed”

by Marc Maleri
French Cassettes 'Benzene' © Marisa Bazan
Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 15, 2024

“It took so long to find a way to fill the silence”: Basking in French Cassettes’ Sunny, Spirited Third Album ‘Benzene’

by Mitch Mosk
Sabrina Song © Livy Wicks
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 13, 2024

“Introspective, Loving, & Optimistic”: Sabrina Song’s Soul Is Exposed on Debut Album ‘You Could Stay In One Spot, and I’d Love You The Same’

by Mitch Mosk
Ultra Q at the Echo 2024 © Jax Samsell
Concerts, Music, ReviewsJune 13, 2024<June 13, 2024

Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit

by Grace Holtzclaw
Fleetwood Mac © Norman Seeff, 1978
Columns, Music, Nostalgia TracksJune 13, 2024<June 13, 2024

A Short Story of Beginnings, Ends, & Understanding Why Fleetwood Mac’s “Save Me a Place” Is the Foundation That Holds True No Matter What

by Kevin Cost
Primavera Sound 2024 Created in Barcelona © Christian Bertrand
Festival, Music, ReviewsJune 13, 2024<June 13, 2024

Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024

by Michael Greco
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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