Features, Interviews, MusicApril 10, 2024<April 10, 2024 Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’ by Jaclyn Kelly
Columns, Music, Today's SongApril 10, 2024<April 10, 2024 “Look who done came through”: Basking in the Dry Heat of RiTchie’s “Dizzy” ft. Aminé by Mitch Mosk
Interviews, MusicApril 10, 2024<April 10, 2024 “I was going through an identity crisis”: How Heading Home to Ithaca Yielded X Ambassadors’ Most Intimate Music to Date by Josh Weiner
Interviews, MusicApril 10, 2024<April 16, 2024 Interview: Rockin’ Out with Bad Bad Hats’ Kerry Alexander by Marissa DeLeon
Columns, Music, Today's SongApril 9, 2024<April 9, 2024 “Love is the motive”: Whitworth’s “World War” Is a Witty Indie Boy Banger by Noah Berghammer
Features, Interviews, Music, Track-by-TrackApril 9, 2024<April 9, 2024 “Cartoonish Canadian Indie”: fanclubwallet’s ‘Our Bodies Paint Traffic Lines’ Is an Angsty Indie Rock Record of Friendship & Full Band Magic by Mitch Mosk
Music, PremieresApril 9, 2024<April 9, 2024 “Busy living on the outside”: The Dreamy, Restless Ache of Hannah Connolly’s “Shadowboxing” by Mitch Mosk
Music, PremieresApril 9, 2024<April 9, 2024 Premiere: Luke Francis’ “Go Home” Is a Heavy-Hearted Stroll Through Palm Springs by Mitch Mosk
Columns, Music, Today's SongApril 8, 2024<April 8, 2024 Today’s Song: Shannon and the Clams Continue to Defy Convention with “The Moon Is in the Wrong Place” by Beau Hayhoe
Music, PremieresApril 7, 2024<April 10, 2024 Premiere: B-Drop Worldwide Showcases Lily Kershaw, Alayna, & E. G. Daily by Mitch Mosk
Columns, Music, Today's SongApril 7, 2024<April 6, 2024 Today’s Song: The Euphoric Misanthropy of Career Woman’s “No Alibi” by Danielle Furman
Columns, Music, Today's SongApril 6, 2024<April 5, 2024 “Let it be the song on your little radio” and Listen to Iron & Wine’s “You Never Know” by Brianna Corrine
Columns, Features, Music, Weekly RoundupApril 5, 2024<April 8, 2024 Atwood Magazine’s Weekly Roundup: April 5, 2024 by Atwood Magazine Staff
Interviews, MusicApril 5, 2024<April 6, 2024 “I just feel a bit more free in what I’m doing”: The Sonically Charged Addiction of Lucy Kruger & The Lost Boys by Marissa DeLeon
Music, ReviewsApril 5, 2024<April 5, 2024 “To the ocean of your love, I am a river”: Adrianne Lenker Has Crafted a ‘Bright Future’ with Her Latest Album by Madeleine Eggen
For the Love of Music
For the Love of Music
