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Tomato Flower © Missy Malouff
Columns, Music, Today's SongMarch 25, 2024<March 25, 2024

Today’s Song: Baltimore’s Tomato Flower “Do It” With a Sense of Urgency & Unwavering Commitment

by Kevin Cost
Tanner Massey © Clayton Massey
Contributor Interview, Covers, Debut, Features, From The Zine, Interviews, Music, NewsMarch 25, 2024<March 25, 2024

Interview: A Deep Dive into the Technical Singing of ‘The Voice’ Season 24 Contestant Tanner Massey

by Noah Wade
Angry Blackmen © Joseph Torres
Features, Interviews, MusicMarch 25, 2024<April 2, 2024

Interview: Angry Blackmen Open Up Their Hearts on the Bitingly Vulnerable ‘The Legend of ABM’

by Oliver Crook
Suanna Lynn
Editorials, Music, Women's History MonthMarch 25, 2024<March 25, 2024

“Hey ladies, you can have it all!” and Other Lies I Once Believed. A Mom Navigates the Music Industry: An Essay by Suanna Lynn for Women’s History Month

by Guest Writer
Columns, Music, Today's SongMarch 24, 2024<March 15, 2024

Today’s Song: Nashville’s Carlyle Griffin Finds a Breakthrough in Soulful “Sweet Fool”

by Hannah Burns
Atwood Magazine's Weekly Roundup | March 22, 2024
Columns, Features, Music, Weekly RoundupMarch 23, 2024<March 24, 2024

Atwood Magazine’s Weekly Roundup: March 22, 2024

by Atwood Magazine Staff
Holly Humberstone © Charlotte Alex
Columns, Music, Today's SongMarch 23, 2024<March 23, 2024

Today’s Song: Unraveling Holly Humberstone’s Deeply Honest “Dive”

by Kelly McCafferty Dorogy
"It's all now, isn't it exciting?" The Staves © Harvey Pearson
Features, Interviews, MusicMarch 22, 2024<April 4, 2024

Interview: The Staves Shine as a Duo on ‘All Now,’ Their Impassioned & Liberating Fourth Album

by Mitch Mosk
Work Wife © Sydney Tate
Columns, Music, Today's SongMarch 22, 2024<March 22, 2024

“So lean in, speak loud, I could do this forever”: Brooklyn’s Work Wife Honor Your Best Friend’s Mom in “Something’s Up”

by Mitch Mosk
Francis of Delirium 'Lighthouse' © Holly Whitaker
Debut, Features, Interviews, Music, Track-by-TrackMarch 22, 2024<March 22, 2024

“Remain open to the people around you”: Francis of Delirium Is a Bold Beacon of Love in ‘Lighthouse,’ Her Heart-on-Sleeve Debut Album

by Mitch Mosk
Coldplay © 2002
Columns, Music, Nostalgia TracksMarch 22, 2024<March 22, 2024

Nostalgia Tracks: How I Found Solace Within Desperation on Coldplay’s “Amsterdam”

by Kevin Cost
Kaleah Lee 'Birdwatcher' © Spruce Bohen
Features, Interviews, MusicMarch 22, 2024<March 22, 2024

Interview: Kaleah Lee’s ‘Birdwatcher’ EP Profoundly Reflects on the Freedom of Solitude

by Olivia Martinez
Jango Flash © Chloe Dunscombe
Debut, Interviews, MusicMarch 21, 2024<March 21, 2024

“It feels triumphant, and we stand by what the songs mean to each of us”: Newcastle’s Jango Flash Dive into Their Supercharged Debut EP

by Mitch Mosk
Aisha Badru © Jeffery Trapani
Music, PremieresMarch 21, 2024<March 21, 2024

Premiere: Aisha Badru Empowers Us to Find Our Inner Light on “Life to Live,” a Spirited Call for Freedom, Exploration, & Self-Discovery

by Mitch Mosk
Magana © 2024
Features, Interviews, Music, PremieresMarch 21, 2024<March 21, 2024

“The songs read more like spells”: Magana Premieres ‘Teeth,’ Her Witchy, Warm, & Wondering Sophomore LP

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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