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Atwood Magazine's Weekly Roundup | May 17, 2024
Columns, Features, Music, Weekly RoundupMay 17, 2024<May 22, 2024

Atwood Magazine’s Weekly Roundup: May 17, 2024

by Atwood Magazine Staff
Ant Enoch © James Smithers
Debut, Features, Interviews, Music, Track-by-TrackMay 17, 2024<May 17, 2024

Crying on the Dance Floor: Sydney’s Ant Enoch Dwells in Soul-Stirring Depths on Dreamy Debut EP ‘Big Talk Big Party’

by Mitch Mosk
Joe George © Cory Dewald
Music, PremieresMay 16, 2024<May 16, 2024

“Don’t Have to Do It Yourself”: Joe George’s Latest Single off ‘Folk Cinema’ Is a Soothing Symphony of Empathy & Understanding

by Mitch Mosk
Alana Yorke © Cherakee Andresen
Music, PremieresMay 16, 2024<May 16, 2024

“You were never really there”: Alana Yorke’s “Let Me Go” Is a Cathartic & Cleansing Fever Dream

by Mitch Mosk
Mat Kearney © Orchee Sorker
Features, Interviews, Music, Track-by-TrackMay 16, 2024<May 16, 2024

“The margarita pizza of my music career”: Mat Kearney Is All-In on His Self-Titled Eighth Album

by Mitch Mosk
of Montreal's Kevin Barnes © Shervin Lainez
Features, Interviews, MusicMay 16, 2024<May 16, 2024

“I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability

by Madeleine Eggen
YAGKI © Taylah Chapman
Music, Music Videos, PremieresMay 15, 2024<May 15, 2024

Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment

by Mitch Mosk
A Million Easy Payments - Little Kid
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album

by Mitch Mosk
Shannon and the Clams 'The Moon Is In The Wrong Place' © Jim Herrington
Features, Interviews, MusicMay 15, 2024<May 15, 2024

“What Is Time? What Is Life?”: Shannon & The Clams Discuss Grief, Rage, & What Occurs When ‘The Moon Is in the Wrong Place’

by Kevin Cost
Tors 'Miracle' © Anna Lowry
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

“I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP

by Mitch Mosk
Wynona © Lachlan Chester
Features, Interviews, MusicMay 14, 2024<May 14, 2024

“What matters most to us is that these songs exist in the world”: Mum-Jean Rock Band Wynona Are Bringing Back the ’90s With Catchy Anthems & Carefree Charm

by Mitch Mosk
Lee Lewis © Matt Robertson
Artist to Watch, Debut, Features, Interviews, MusicMay 14, 2024<May 14, 2024

“An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing

by Mitch Mosk
Arctic Wave's C.L Turner © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 14, 2024<May 14, 2024

“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month

by Guest Writer
She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

by Noah Berghammer
Radical Optimism - Dua Lipa
Features, Music, Reviews, RoundtableMay 14, 2024<June 29, 2024

Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’

by Atwood Magazine Staff
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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