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See You at SXSW, 2024!
Festival, Music, ReviewsMarch 21, 2024<March 21, 2024

SXSW 2024: The Live Music Capital of the World Lives Up to Its Name

by Marissa DeLeon
Columns, Music, Today's SongMarch 21, 2024<May 23, 2024

Today’s Song: KTJ & CARLY’s Sizzling “Falling onto You” ft. Laprete Evokes the Fiery Passion of a Toxic Partnership

by Chloe Robinson
wojtek the bear © Chris Hogge
Columns, Music, Today's SongMarch 20, 2024<March 20, 2024

Glasgow’s wojtek the bear Shine on “slowly, then all at once,” a Dreamy Reverie Full of Warm Color & Lush Light

by Mitch Mosk
Andrea Von Kampen 'Sister Moon' © Analise Schrader
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Track-by-Track: Andrea von Kampen Evokes Nature’s Wonder & Beauty in ‘Sister Moon,’ Her Spiritual, Soul-Stirring Third Album

by Mitch Mosk
The Drives © Ellyn Jameson
Artist to Watch, Features, Interviews, MusicMarch 20, 2024<March 20, 2024

Angst, Dancey Indie Rock, and a Good Cry: Catching Up With LA Artist-to-Watch The Drives

by Mitch Mosk
Moyka © Ida Fiskaa
Features, Interviews, Music, Track-by-TrackMarch 20, 2024<March 20, 2024

Feature: Moyka’s ‘Movies, Cars & Heartbreak’ Is an Album for the Brokenhearted, the Thrill-Seekers, & Party People

by Mitch Mosk
lyn lapid © Caro Knapp
Features, Interviews, MusicMarch 20, 2024<March 21, 2024

Interview: Lyn Lapid on ‘to love in the 21st century: the epilogue’ EP, Her Creative Process, and Wanting Her Songs Used in Figure Skating

by Freya Rinaldi
Hinds © Dario Vazquez
Columns, Music, Today's SongMarch 19, 2024<March 19, 2024

Today’s Song: Madrid’s Hinds Return With the Addictively Energizing “Coffee”

by Frankie Rose
Kaycie Satterfield © Jesus Acosta
Music, PremieresMarch 19, 2024<March 19, 2024

Premiere: Kaycie Satterfield’s Dreamy, Achingly Intimate “Video Girl” Tells Her Queer Coming-of-Age Story

by Mitch Mosk
Lola Young © Amy Peskett
Interviews, MusicMarch 19, 2024<March 19, 2024

“Wish You Were Dead”: London’s Lola Young Channels Passion & Toxicity into a Hot, Sweaty Fever Dream

by Mitch Mosk
Oakland Rain © courtesy of the artist
Editorials, Music, Women's History MonthMarch 19, 2024<March 19, 2024

“Beyond the Albatross of Patriarchal Expectations: Redefining Gender Equality in the Music Industry”: An Essay by Oakland Rain for Women’s History Month

by Mitch Mosk
Calabasas © courtesy of the artist
Interviews, MusicMarch 19, 2024<March 19, 2024

Walking Down Memory Lane: Calabasas Talk New Single “Stressed Out,” Finding Balance, & Staying True to Themselves

by Aidan Mega
Anime Parallele - Laura Pausini
Columns, Music, Music & CitiesMarch 19, 2024<March 19, 2024

Music & Cities: Laura Pausini’s ‘Anime Parallele’ in Pàdova

by David Buyze
Chenayder © LegitLooks
Columns, Music, Today's SongMarch 18, 2024<March 18, 2024

“For one last time, I’ll be on your mind”: Basking in Chenayder’s Sweet Farewell

by Mitch Mosk
Nathaniel Rateliff & The Night Sweats © Brantley Gutierrez
Concerts, Music, ReviewsMarch 18, 2024<March 18, 2024

Live Review: Ever the Showman, Nathaniel Rateliff Showcases Exactly What Music Is Capable Of

by Oliver Crook
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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