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Atwood Magazine's Weekly Roundup | July 8, 2024
Columns, Features, Music, Weekly RoundupJuly 8, 2024<July 8, 2024

Atwood Magazine’s Weekly Roundup: July 8, 2024

by Atwood Magazine Staff
Ripe's Robbie Wulfsohn © 2024
Features, Interviews, MusicJuly 8, 2024<July 8, 2024

“A high energy palliative”: Ripe’s Robbie Wulfsohn Reflects on One Year of the Band’s Triumphant ‘Bright Blues’

by Mitch Mosk
WHERE IS ELA © 2024
Columns, Music, Today's SongJuly 7, 2024<July 7, 2024

Today’s Song: Boston’s WHERE IS ELA Has Found a New Sound on “I Wanna Ride”

by Laurent Chavannes
D-Train
Columns, Music, Today's SongJuly 4, 2024<July 4, 2024

Today’s Song: D-Train Resurges With an Ode to Living in the Present on “Time Has Come Today”

by Grace Holtzclaw
Quavo and Lana Del Rey "Tough" © Wyatt Spain Winfrey
Music, Reviews, This Just InJuly 3, 2024<July 3, 2024

This Just In: Lana Del Rey & Quavo Create a Diamond in the Rough With New Song “Tough”

by Marc Maleri
Something Corporate © Connor Lenihan
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Andrew McMahon Talks Something Corporate’s Reunion, New Single “Death Grip,” & the Beauty of Letting Go

by Mitch Mosk
Sarah Kinsley "Last Time We Never Meet Again" © Dillon Matthew
Debut, Features, Interviews, MusicJuly 3, 2024<July 3, 2024

“Our lives were only a blimp”: Sarah Kinsley Talks Endings, Beginnings, and Her Cinematic & Celebratory Debut Album

by Mitch Mosk
Muroki 'Timezones' © 2024
Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: Muroki Traverses Genres and ‘Timezones’ in His Cheeky, Sexy, & Soulful Third EP

by Mitch Mosk
Careless - NOANNE
Features, Interviews, MusicJuly 3, 2024<July 3, 2024

Interview: NOANNE Offers a Raw & Introspective Look at the Fragility of the Human Spirit in “Careless”

by Joe Beer
Now That's What I Call Fantastic Cat - Fantastic Cat
Features, Interviews, Music, Track-by-TrackJuly 2, 2024<March 18, 2026

Feature: ‘Now That’s What I Call Fantastic Cat’ Is a Stunning Show of Hope & Humanity from Folk Rock Supergroup Fantastic Cat

by Mitch Mosk
Sleepwalker's self-titled debut EP
Debut, Music, ReviewsJuly 2, 2024<July 2, 2024

Review: Sleepwalker’s Self-Titled EP Is an Emotive & Burning Assortment Not to Be Slept on

by Chloe Robinson
Lana Del Rey’s Ocean Blvd tour has been as untraditional as her music career
Concerts, Music, ReviewsJuly 2, 2024<July 2, 2024

Concert Review: Lana Del Rey’s One Special Night at Fenway Park, Full of Heat, Rain, and Soaring Vocal Performances

by Marc Maleri
Still Woozy 'Loveseat' © Alex Kennedy
Features, Interviews, MusicJuly 2, 2024<September 5, 2025

“Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’

by Nasim Elyasi
Julia Logan "Mirrors" © Olof Grind
Artist to Watch, Columns, Interviews, Music, Today's SongJuly 2, 2024<July 2, 2024

“It’s a story of frustration, struggle, and hope”: Julia Logan Embraces Her Restless Heart in “Mirrors”

by Mitch Mosk
I Just Needed You to Know - Girl Scout
Artist to Watch, Columns, Music, Today's SongJuly 1, 2024<July 1, 2024

Today’s Song: The Raw, Exhilarating Rush of Girl Scout’s Angsty & Feverish “I Just Needed You to Know”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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