Columns, Music, Music & CitiesMay 6, 2024<May 6, 2024 Music & Cities: David Sylvian’s ‘Secrets of the Beehive’ from Syracuse to Montréal by David Buyze
Interviews, MusicMay 6, 2024<May 6, 2024 “A cross between Blade Runner and a Tim Burton film”: Last Dinosaurs’ Lachlan Caskey on AI, Capitalism, and the Band’s Space-Age Transmissions, ‘KYO’ & ‘RYU’ by Em Tomeo
Music, ReviewsMay 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
Music, Reviews, This Just InMay 6, 2024<May 5, 2024 “If it isn’t broke, don’t fix it”: Eden Rain Mourns Another “Great Nothing” In Her Angsty & Aching Non-Lovers’ Lament by Mitch Mosk
Music, Reviews, This Just InMay 5, 2024<May 5, 2024 “I have traveled all the world looking for songs and girls and God”: Joy Oladokun Sits in Her Grief on “Questions, Chaos & Faith,” a Spiritual, Soul-Stirring Exhale by Mitch Mosk
Columns, Music, Today's SongMay 5, 2024<May 5, 2024 Maya Ixta’s “Time” Is an Ethereal Serenade Examining the Effects of Time Dissolving by Chloe Robinson
Columns, Music, Today's SongMay 4, 2024<May 4, 2024 Kate Nash’s “Millions of Heartbeats” Recognises That Universal Feeling of Being Alone by Liv Goodbody
Music, ReviewsMay 4, 2024<May 4, 2024 Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight by Noah Wade
Columns, Features, Music, Weekly RoundupMay 3, 2024<May 7, 2024 Atwood Magazine’s Weekly Roundup: May 3, 2024 by Atwood Magazine Staff
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Features, Interviews, MusicMay 3, 2024<May 3, 2024 Interview: R&B Artist Skylar Simone on Her Def Jam Signing, Sensual New Single “Shiver,” & Ten Years in the Music Industry by Mitch Mosk
Features, Music, Reviews, RoundtableMay 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
Columns, Music, Today's SongMay 3, 2024<May 2, 2024 Today’s Song: Hermanos Gutiérrez Yearn for Reunion in “Until We Meet Again” by Miles Campbell
Features, Interviews, MusicMay 3, 2024<May 2, 2024 “This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret by Danny Vagnoni
Music, Reviews, This Just InMay 3, 2024<May 3, 2024 This Just In: Girl Boss Caitlyn Smith Goes It Alone With Her Independently Released Single “Static” by Emily Frances Algar
For the Love of Music
For the Love of Music
