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Linying © Michelle Mei
Features, Interviews, MusicFebruary 20, 2024<February 22, 2024

“If I wanted to hate my job, I could be an accountant”: Linying Pushes into Her Next Phase With ‘House Mouse’ EP

by Leo Culp
Hans Williams © Hank Miller
Debut, Features, Interviews, MusicFebruary 20, 2024<February 20, 2024

“Under my skin is where you hide”: Hans Williams on Overcoming Imposter Syndrome, His Debut EP, & Folk Music’s Renaissance

by Mitch Mosk
Danielle Durack's 'Escape Artist' album art
Music, ReviewsFebruary 20, 2024<February 20, 2024

Danielle Durack Uses Humor & Poignancy to Tread the Human Condition on ‘Escape Artist’

by Kevin Krein
Georgia Gets By © Nicola Sandford
Columns, Music, Today's SongFebruary 19, 2024<February 19, 2024

“When All You Can Manage Is a Sigh”: The Achingly Raw Fragility of Georgia Gets By

by Mitch Mosk
wilt © 2023
Artist to Watch, Columns, Music, Today's SongFebruary 18, 2024<February 18, 2024

Today’s Song: wilt Breathe New Life into Grunge & Elevate the Genre With “moved along”

by Audrey Connelly
Kacey Musgraves © Kelly Christine Sutton
Columns, Music, Today's SongFebruary 17, 2024<February 17, 2024

“No regrets, baby”: Kacey Musgraves Makes a Fresh Start in “Deeper Well,” a Song of Self-Empowerment & Letting Go

by Lauren Turner
Atwood Magazine's Weekly Roundup | February 16, 2024
Columns, Features, Music, Weekly RoundupFebruary 16, 2024<February 22, 2024

Atwood Magazine’s Weekly Roundup: February 16, 2024

by Atwood Magazine Staff
Victoria Victoria © 2024
Columns, Music, Today's SongFebruary 16, 2024<February 16, 2024

Today’s Song: Victoria Victoria Climbs “Jacob’s Ladder” in a Warm, Intimate Alt-Folk Dream

by Mitch Mosk
Forest Claudette © Lissyelle Laricchia
Interviews, MusicFebruary 16, 2024<February 16, 2024

“I’m Trying to Come Out from Within”: Forest Claudette Channels Vulnerability & Queer Identity into “Kobe Beef”

by Nic Nichols
bedbug's Dylan Gamez Citron
Editorials, MusicFebruary 16, 2024<February 16, 2024

Reaching Up to Heaven and Just Falling Short: A Bedroom Pop Retrospective by bedbug

by Guest Writer
Friko © Pooneh Ghana
Debut, Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 16, 2024

Cathartic, Dynamic, & Joyful: Chicago’s Friko Debut With a Visceral Fire in ‘Where we’ve been, Where we go from here’

by Mitch Mosk
Refreshingly bold, irresistibly buoyant, and unflinchingly honest: Jordan Mackampa © Aidan Harmitt-Williams
Features, Interviews, Music, Track-by-TrackFebruary 16, 2024<February 17, 2024

‘WELCOME HOME, KID!’: Jordan Mackampa Is Authentic & Fearless in Soul-Soaked Sophomore LP

by Mitch Mosk
Hipsy Gap © Lauren Redman
Columns, Music, Today's SongFebruary 15, 2024<February 15, 2024

“Watching as your words unwind”: Brooklyn’s Hipsy Gap “Fantasize” With an Aching Indie Rock Reverie

by Mitch Mosk
Stela Cole © Steve Sparrow
Interviews, MusicFebruary 15, 2024<February 15, 2024

“The only way to break the cycle is to quit cold and never look back”: Stela Cole Bares It All in Her Spine-Tingling “Die Hard”

by Chloe Robinson
Sam Windley © McLean Stephenson
Debut, Features, Interviews, MusicFebruary 15, 2024<February 15, 2024

“Telling a story half-drunk and through song”: Sam Windley Is ‘Pink and Nervous’ on Her Dazzling Debut EP

by Mitch Mosk
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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