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Jae Soto © Sara Laufer
Music, PremieresApril 29, 2024<April 29, 2024

“A slow way down to your world inside”: The Achingly Beautiful Fragility & Vulnerability of Jae Soto’s “Honesty”

by Mitch Mosk
denn. © Emma Pilkington Mead
Columns, Music, Today's SongApril 29, 2024<April 29, 2024

“I’ve been losing everything that I believe in…”: NYC’s denn. Spills His Heavy Soul in “think,” an Intimate Inner Reckoning

by Mitch Mosk
Oneohtrix Point Never © Joseph Buscarello
A Casual Ramble, Columns, Concerts, Music, ReviewsApril 29, 2024<April 30, 2024

A Casual Ramble: Oneohtrix Point Never Live at Portland’s Wonder Ballroom

by Ben Niesen
Pomme 'Saisons' © Lawrence Fafard
Features, Interviews, MusicApril 29, 2024<April 29, 2024

“I didn’t want to be the main girl or the hero”: Pomme Takes Time to Watch the Seasons Bloom in Modern Opera, ‘Saisons’

by Olivia Martinez
Peter Frampton © Austin Lord
Essays, Features, MusicApril 29, 2024<April 29, 2024

Essay: The Parable of Peter Frampton

by Guest Writer
steinza © courtesy of the artist
Artist to Watch, Columns, Music, ReviewsApril 29, 2024<April 28, 2024

Artist to Watch: Steinza Says the Quiet Parts Out Loud in “Visions of You,” an Achingly Intimate Folk Rock Singalong

by Mitch Mosk
Wyatt C. Louis © Vanessa Heinsedit
Columns, Music, Today's SongApril 28, 2024<April 27, 2024

Today’s Song: Wild Pink Teams With Wyatt C. Louis on Lovely “Oh Vibrant Sky,” a Soft & Sweet Folk Dream

by Beau Hayhoe
Sean Ono Lennon and James McCartney originally shared this selfie in August of 2018, captioned “peekaboo.” McCartney held a guitar under his arm, forecasting their recent collaboration for his forthcoming album © Aidan Moyer
Columns, Music, Today's SongApril 27, 2024<April 27, 2024

Another Lennon-McCartney Original: James McCartney Teams with Sean Ono Lennon on “Primrose Hill”

by Aidan Moyer
Pacifica © Mateo Gonzáles
Debut, Features, Interviews, Music, Track-by-TrackApril 26, 2024<April 26, 2024

“Laughing at the life we’re wasting”: Argentine Indie Sleaze Duo Pacifica Are Unleashed on Debut ‘Freak Scene’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | April 26, 2024
Columns, Features, Music, Weekly RoundupApril 26, 2024<May 5, 2024

Atwood Magazine’s Weekly Roundup: April 26, 2024

by Atwood Magazine Staff
Good Morning © Pooneh Ghana
Features, Interviews, MusicApril 26, 2024<April 26, 2024

They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity

by Sofia Sar
Fontaines D.C. © Theo Cottle
Music, Reviews, This Just InApril 26, 2024<April 28, 2024

“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible

by Hamish Monk
Teddy Swims © Sophie Elgort
Features, Interviews, MusicApril 26, 2024<April 26, 2024

Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage

by Guest Writer
BAILEN © Erica Snyder
Interviews, MusicApril 26, 2024<April 26, 2024

“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know”

by Mitch Mosk
Ocean Alley 'Low Altitude Living" © Kane Lehanneur
Features, Interviews, MusicApril 25, 2024<April 25, 2024

Interview: Ocean Alley Are Touching Back Down in Your City

by Blake McMillan
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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