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Helenor © Kevin Spies
Music, Music Videos, PremieresFebruary 12, 2024<February 12, 2024

Premiere: Helenor’s New Single “Tattoo” Tells a Story of Spontaneous Permanence

by Olivia Martinez
Noah Kahan © Pooneh Ghana
Columns, Music, Today's SongFebruary 12, 2024<February 11, 2024

“I won’t be alone for the rest of my life”: Noah Kahan’s Intimate & Epic “Forever” Is a Beautiful Coda to ‘Stick Season’

by Mitch Mosk
M Field © 2022
Columns, Music, Today's SongFebruary 11, 2024<February 11, 2024

“Yes I want to be desired”: Luminescent Confessions in M Field’s Sunny “Another Moon”

by Kate Millar
Dhani Harrison: Montage of stills from Joel Kazuo Knoerschild’s “I.C.U” music video, featuring the Celtic rune Ægishjálmur, which translates as magic helmet or “Helm of Awe” © Aidan Moyer
Columns, Music, Today's SongFebruary 10, 2024<February 9, 2024

Today’s Song: Dhani Harrison Takes a Mystical Celtic Stroll on “I.C.U”

by Aidan Moyer
Atwood Magazine's Weekly Roundup | February 9, 2024
Columns, Features, Music, Weekly RoundupFebruary 9, 2024<February 9, 2024

Atwood Magazine’s Weekly Roundup: February 9, 2024

by Atwood Magazine Staff
Sabrina Song © Livy Wicks
Columns, Music, Today's SongFebruary 9, 2024<February 9, 2024

“Excess with no restraint”: Sabrina Song Embraces Vulnerability in “Okay, Okay,” an Impassioned Vow of Love

by Mitch Mosk
'Weird Faith' - Madi Diaz
Music, ReviewsFebruary 9, 2024<February 9, 2024

Madi Diaz Looks Both Within & to Others in the Effort to Find ‘Weird Faith’

by Kevin Krein
Katelyn Tarver © Irida Mete
Features, Interviews, MusicFebruary 9, 2024<February 9, 2024

“I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions

by Kelly McCafferty Dorogy
Middle Kids © Pooneh Ghana
Columns, Music, Today's SongFebruary 8, 2024<February 8, 2024

Today’s Song: Middle Kids Explode Through the Negativity with “Terrible News”

by Frankie Rose
Alas, - Lily Seabird
Features, Interviews, Music, Track-by-TrackFebruary 8, 2024<February 8, 2024

“Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go

by Mitch Mosk
Ashley Kutcher © Brittany Harper
Debut, Features, Interviews, MusicFebruary 8, 2024<February 8, 2024

Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort

by Noah Wade
Lotusbliss © Keith Kaselampao
Music, Music Videos, PremieresFebruary 8, 2024<February 8, 2024

Premiere: Deafening and Silent, lotusbliss Blast Off With a Fiery Passion on “Tear Me Apart”

by Mitch Mosk
Hayley Reardon: Live at Starseed Studios © Chelsey Reardon
Interviews, Music, PremieresFebruary 8, 2024<February 8, 2024

Concert Premiere: Hayley Reardon Is Intimate, Up-Close & Personal on ‘Live at Starseed Studios’

by Mitch Mosk
Madeline Rhodes © Ana Lefaux
Features, Music, Music VideosFebruary 8, 2024<February 8, 2024

Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead

by Olivia Martinez
Suki Waterhouse © Madeleine Waterhouse
Columns, Music, Today's SongFebruary 7, 2024<February 7, 2024

“Oh my God, take me back the way that I was”: Suki Waterhouse’s Riveting, Cinematic Anthem “OMG” Yearns for What Once Was

by Lauren Turner
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Brand New

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

:: discover something new ::

Recent Posts

  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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