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Glass Animals © Drewby Perez
Columns, Music, Today's SongJune 19, 2024<June 18, 2024

“Water, running down my face”: Glass Animals’ Aching, All-Consuming Anthem “A Tear in Space (Airlock)”

by Mitch Mosk
brat - Charli XCX
Features, Music, Reviews, RoundtableJune 18, 2024<June 29, 2024

Charli XCX’s ‘brat,’ But It’s a Roundtable Discussion

by Atwood Magazine Staff
Parachutes - Coldplay
Columns, Music, Music & CitiesJune 18, 2024<February 11, 2025

Music & Cities: Coldplay’s ‘Parachutes’ in León, Mexico

by David Buyze
Polycrisis - Gloom Girl MFG
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’

by Oliver Crook
Amanda Bergman © Julia Mård
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It

by Rachel Leong
Blind Pilot © 2024
Columns, Features, Interviews, Music, Today's SongJune 18, 2024<June 24, 2024

“There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 14, 2024
Columns, Features, Music, Weekly RoundupJune 14, 2024<June 17, 2024

Atwood Magazine’s Weekly Roundup: June 14, 2024

by Atwood Magazine Staff
Aquilo 'Painkiller' © Harvey Pearson
Columns, Features, Interviews, Music, Today's SongJune 14, 2024<June 19, 2024

“A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Features, Interviews, MusicJune 14, 2024<June 14, 2024

“Sometimes vulnerability just looks like trash”: Ok Cowgirl Channel Raw Energy into Fiery Sound on “Little Splinters & “Forever”

by Mitch Mosk
LULLANAS © Luda Ronky
Debut, Features, Interviews, Track-by-TrackJune 14, 2024<June 14, 2024

Cathartic, Empathetic, & Emotive: Folk-Pop Twin Duo LULLANAS Shine a Soft, Soothing Light on Debut Album ‘Pretty Lies & Time Machines’

by Mitch Mosk
The Marías © Ashley Olah
Columns, Music, Today's SongJune 13, 2024<June 13, 2024

Today’s Song: The Marías Explore Intoxicating Detachment in “No One Noticed”

by Marc Maleri
French Cassettes 'Benzene' © Marisa Bazan
Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 15, 2024

“It took so long to find a way to fill the silence”: Basking in French Cassettes’ Sunny, Spirited Third Album ‘Benzene’

by Mitch Mosk
Sabrina Song © Livy Wicks
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 13, 2024

“Introspective, Loving, & Optimistic”: Sabrina Song’s Soul Is Exposed on Debut Album ‘You Could Stay In One Spot, and I’d Love You The Same’

by Mitch Mosk
Ultra Q at the Echo 2024 © Jax Samsell
Concerts, Music, ReviewsJune 13, 2024<June 13, 2024

Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit

by Grace Holtzclaw
Fleetwood Mac © Norman Seeff, 1978
Columns, Music, Nostalgia TracksJune 13, 2024<June 13, 2024

A Short Story of Beginnings, Ends, & Understanding Why Fleetwood Mac’s “Save Me a Place” Is the Foundation That Holds True No Matter What

by Kevin Cost
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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