Debut, Features, Interviews, MusicJanuary 23, 2024<January 23, 2024 “I still feel like a stranger to my listeners, and that’s something I want to change”: A Conversation With Willow Avalon by Mitch Mosk
Music, ReviewsJanuary 23, 2024<January 23, 2024 Knxwledge. Flexes Production Muscles on ‘VGM.30,’ the 30th Installment of Video Game Music Series by Jake Fewx
Columns, Music, Today's SongJanuary 22, 2024<January 23, 2024 Today’s Song: Energetic Emotions Conjure Sheer Attitude on Products Band’s “Shell Text” by Kevin Cost
Music, PremieresJanuary 22, 2024<January 23, 2024 Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption by Mitch Mosk
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025 Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’ by Nasim Elyasi
Music, PremieresJanuary 22, 2024<January 22, 2024 Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream by Mitch Mosk
Columns, Music, Today's SongJanuary 21, 2024<January 21, 2024 Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch” by Beau Hayhoe
Columns, Interviews, Music, Today's SongJanuary 20, 2024<January 20, 2024 Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets” by Josh Weiner
Columns, Features, Music, Weekly RoundupJanuary 19, 2024<January 19, 2024 Atwood Magazine’s Weekly Roundup: January 19, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024 “Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 19, 2024<January 19, 2024 “Fragments of my life”: Sam Fischer on the Five-Year Journey to Debut Album ‘I Love You, Please Don’t Hate Me’ by Brianna Corrine
Interviews, MusicJanuary 18, 2024<January 18, 2024 Interview: Reunited After 21 Years, ’90s Alt-Rock Band Dogstar Set a High Bar on ‘Somewhere Between the Power Lines and Palm Trees’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 18, 2024<January 18, 2024 “I want my therapist to think I’m cool”: Haley Blais Is Beautifully Exposed on ‘Wisecrack,’ Her Unapologetic & Unfiltered Sophomore LP by Mitch Mosk
Features, Interviews, MusicJanuary 18, 2024<January 18, 2024 “Inspired by the Vibrations”: Keyon Harrold Creates Paradise on ‘Foreverland,’ a Triumphant Fusion of Jazz & Hip-Hop by Josh Weiner
Columns, Music, Today's SongJanuary 18, 2024<January 18, 2024 Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment by Mitch Mosk
For the Love of Music
For the Love of Music
