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Peach Luffe © Alex Lam
Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High

by Mitch Mosk
Corella 'Once Upon a Weekend' © Jake Haseldine
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind

by Mitch Mosk
Dua Lipa 'Radical Optimism' © Tyrone Lebon
Music, ReviewsMay 9, 2024<May 9, 2024

Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’

by Lauren Turner
Hooked Like Helen © Rat Majesty
Columns, Essays, Mental Health Awareness MonthMay 9, 2024<November 14, 2024

From Pain to Peace: Rock Band Hooked Like Helen’s Journey Through Mental Health and Music

by Guest Writer
HELLCAT - Kitty Coen
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album

by Mitch Mosk
h. pruz © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth

by Mitch Mosk
Quiet Canyons © Casey Curry
Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’

by Mitch Mosk
English Teacher © Denmarc Creary
Debut, Features, Interviews, MusicMay 8, 2024<May 8, 2024

Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’

by Oliver Crook
Torri Weidinger and Hannah Hill at STFU Night 1 © Noah Berghammer
Concerts, Music, ReviewsMay 8, 2024<May 8, 2024

STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level

by Guest Writer
All Born Screaming - St. Vincent
Music, ReviewsMay 8, 2024<May 8, 2024

Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot

by Emma Rayder
Martí © 2024
Columns, Music, Today's SongMay 7, 2024<May 7, 2024

Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)”

by Joe Beer
Britti © Jim Herrington
Debut, Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut

by Mitch Mosk
snarls © Sumner Howells
Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy

by Mitch Mosk
Microwave 'Let's Start Degeneracy' © Cameron Flaisch
Features, Interviews, MusicMay 7, 2024<May 7, 2024

Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’

by James Crowley
Ethel © Victor Jacques Sebb
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP

by Mitch Mosk
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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