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Lil Dicky's “Mr. McAdams” music video
Music, Reviews, This Just InDecember 18, 2023<December 18, 2023

Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’

by Mitch Mosk
Kid Prexy © 2023
Columns, Music, Today's SongDecember 18, 2023<December 19, 2023

Today’s Song: Kid Prexy Strikes a Chord of Teenage Bliss on Rapturous Pop-Punk Banger “I Think That You’re Pretty”

by Grace Holtzclaw
Switchfoot "Christmas" © 2022
Features, Interviews, Mistletones, MusicDecember 18, 2023<January 9, 2025

“Christmas is an emotional treasure chest”: Switchfoot’s Jon Foreman on Finding the Holiday Spirit With ‘this is our Christmas album’

by Mitch Mosk
Joss Stone © Nolan Knight
Features, Interviews, Mistletones, MusicDecember 18, 2023<December 18, 2023

“I can literally smell Christmas is coming”: Joss Stone Wishes All a ‘Merry Christmas, Love’ on Her Classic, Soulful Christmas Album

by Mitch Mosk
Atwood Magazine's Mistletones 2023, Pt. 1
Features, Interviews, Lists, Mistletones, MusicDecember 18, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Quinn Sullivan © 2023
Columns, Music, Today's SongDecember 17, 2023<December 15, 2023

Today’s Song: Quinn Sullivan Kicks Off New Era With “Salvation (Make Me Wanna Pray)”

by Noah Wade
Tunes & Tumblers x Oh Land 2023
Music, Podcast, Tunes & TumblersDecember 16, 2023<December 16, 2023

Podcast: Tunes & Tumblers Features Oh Land and the You Soup

by Atwood Magazine Staff
Johnny Orlando © Kyla Mah
Columns, Music, Today's SongDecember 16, 2023<December 15, 2023

Johnny Orlando Ends ‘The Ride’ With “Close to You” & “Thinking of Me,” a Poignant & Vulnerable Production

by Lauren Hicks
Atwood Magazine's Weekly Roundup | December 15, 2023
Columns, Features, Music, Weekly RoundupDecember 15, 2023<December 16, 2023

Atwood Magazine’s Weekly Roundup: December 15, 2023

by Atwood Magazine Staff
Firewoodisland © Dave Newbould
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023

Track-by-Track: Firewoodisland Enchant & Inspire on Achingly Intimate EP, ‘As Long As I Go’

by Mitch Mosk
Hayfitz © Sebastian Vericella
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023

“Intimate, Vulnerable, & Gay”: Hayfitz Dwells in the Unrequited Depths of ‘Everything Else,’ His Dreamy Sophomore LP

by Mitch Mosk
Mumble Tide © 2023
Artist to Watch, Columns, Music, Today's SongDecember 15, 2023<December 15, 2023

Artist to Watch: Mumble Tide Shine With Raw, Unfiltered Passion on “Kindest” & “The Start Over”

by Mitch Mosk
milk. © 2023
Features, Interviews, MusicDecember 14, 2023<December 14, 2023

“Clear, Honest, & Deliberate”: Dublin’s milk. Dwell in Identity Crises on Enthralling ‘3, the EP.’

by Mitch Mosk
Sampha © Jesse Crankson
Columns, Music, Today's SongDecember 14, 2023<December 14, 2023

Today’s Song: Sampha’s Heavenly Vocals Shimmer on the Blissful “Jonathan L. Seagull” Off Sophomore LP ‘Lahai’

by Jake Fewx
Cold War Kids © Sean Flynn
Features, Interviews, MusicDecember 14, 2023<January 5, 2024

“An emotional release in every way”: Cold War Kids’ Nathan Willett Reflects on 20 Years of Indie Rock Underdogdom

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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