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Diego Morales
Columns, Meet Our WritersJanuary 6, 2024<February 4, 2024

Meet Our Writers: Mexico City’s Diego Morales!

by Diego Morales
B-Drop
Music, PremieresJanuary 5, 2024<January 5, 2024

Premiere: B-Drop Worldwide Showcases Pool Surfers & Wingtip

by Mitch Mosk
Vinnie Paolizzi © Kurt Ozan
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024

Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP

by Lauren Hicks
Corridors - Donna Lewis © 2024
Columns, Music, Today's SongJanuary 5, 2024<January 4, 2024

Today’s Song: Donna Lewis Unveils Her Radiant & Remarkable “Corridors” With Holmes Ives

by Chloe Robinson
Atwood Magazine's 2023 Albums of the Year
Features, Lists, MusicJanuary 3, 2024<January 4, 2024

Atwood Magazine’s 2023 Albums of the Year

by Atwood Magazine Staff
Jack Harlow © Cian Moore
Columns, Music, Today's SongJanuary 3, 2024<January 3, 2024

Today’s Song: Jack Harlow’s “Lovin on Me” Has Roots Tied Down in Detroit

by Guest Writer
Another Christmas Album - Amerigo Gazaway
Interviews, Mistletones, MusicDecember 22, 2023<December 22, 2023

Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure

by Mitch Mosk
Atwood Magazine's 2023 Songs of the Year
Features, Lists, MusicDecember 22, 2023<January 9, 2024

Atwood Magazine’s 2023 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's Mistletones 2023, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Atwood Magazine's Top Artist Discoveries of 2023
Features, Lists, MusicDecember 21, 2023<January 4, 2024

Atwood Magazine’s Top Artist Discoveries of 2023

by Atwood Magazine Staff
TRISHES © Walter Seward
Columns, Music, Today's SongDecember 20, 2023<January 8, 2024

Today’s Song: TRISHES’ Otherworldly “Astrology” Explores a Religious Belief and a Celestial Bond with the Universe

by Chloe Robinson
Sid Simons © Elliott Atkinson
Concerts, EssaysDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

by Noah Berghammer
Truth Club © Walker Bankson
Features, Interviews, MusicDecember 20, 2023<December 20, 2023

Interview: Raleigh’s Truth Club on Genre, Inspiration, & the Spice of Variety

by Guest Writer
Atwood Magazine's Best Shows of 2023
Concerts, Features, Lists, MusicDecember 20, 2023<January 4, 2024

Atwood Magazine’s Best Concerts of 2023!

by Atwood Magazine Staff
Pink Friday 2 - Nicki Minaj © Charlotte Rutherford 8.6
Music, Our Take, ReviewsDecember 19, 2023<December 19, 2023

Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’

by Josh Weiner
Posts pagination
1 … 146 147 148 149 150 … 727

Brand New

  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

:: discover something new ::

Recent Posts

  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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