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Alexz Johnson "Take the Blame" © Alastair Sinclair
Music, Music Videos, PremieresOctober 10, 2023<October 10, 2023

Video Premiere: Alexz Johnson Takes the Blame in a Stunningly Cinematic, Emotional Reckoning

by Mitch Mosk
Atwood Magazine's Weekly Roundup | October 6, 2023
Columns, Features, Music, Weekly RoundupOctober 6, 2023<October 9, 2023

Atwood Magazine’s Weekly Roundup: October 6, 2023

by Atwood Magazine Staff
Georgia Gets By 'Fish Bird Baby Boy' © Silken Weinberg
Debut, Features, Interviews, Music, Track-by-TrackOctober 6, 2023<October 6, 2023

“Unrestrained Femme Catharsis”: BROODS’ Georgia Nott Is Reborn & Unleashed As Georgia Gets By

by Mitch Mosk
M. Dunton © 2023
Interviews, MusicOctober 6, 2023<October 6, 2023

Interview: Mike Dunton Transports Listeners to a Whole Other Time & Place With “Hotel Lobby”

by Chloe Robinson
Colbie Caillat 'Along the Way' © Patrick Tracy
Features, Interviews, MusicOctober 6, 2023<October 10, 2023

A Musical Rebirth: Colbie Caillat Talks New Album ‘Along the Way,’ Nashville, and Being a Woman in the Music Industry Today

by Emily Frances Algar
Amethysts © 2023
Music, Music Videos, PremieresOctober 5, 2023<October 5, 2023

Premiere: Amethysts Dwell in the Deep End on “Bloodline,” a Moody, Brooding, & Beautiful Dreampop Reverie

by Mitch Mosk
Captain Obvious - Raia Was
Features, Interviews, Music, Track-by-TrackOctober 5, 2023<October 5, 2023

“Big Sky Energy”: NYC’s Raia Was Is ‘Captain Obvious’ on Her Seductive & Soul-Stirring Sophomore Album

by Mitch Mosk
Flarelight © 2023
Music, PremieresOctober 5, 2023<October 5, 2023

Premiere: Queen’s Brian May Joins Flarelight on “Glimmer,” a Hopeful & Hard-Hitting Alt-Rock Fever Dream

by Mitch Mosk
Birthh © Allegra Toran
Features, Interviews, MusicOctober 5, 2023<October 5, 2023

“This is what my heart sounds like”: Birthh Bares Her Soul on Third Album ‘Moonlanded’

by Mitch Mosk
Sarah Johnson © 2023
Columns, Music, Today's SongOctober 4, 2023<October 4, 2023

“Cool” Girls and the Male Gaze: Sarah Johnsone’s “Sofia” Is a Seductive Critique

by Mitch Mosk
Artifacts - Hello June © Rafael Barker
Features, Interviews, Music, Premieres, Track-by-TrackOctober 4, 2023<October 4, 2023

Album Premiere: Hello June’s ‘Artifacts’ Is a Spirited, Churning, & Charged Sophomore Triumph

by Mitch Mosk
Shaky Knees - Kid Bloom
Music, ReviewsOctober 4, 2023<October 4, 2023

Review: Kid Bloom’s ‘Shaky Knees’ Is the Soundtrack to a Never-Ending Summer

by Eric Schuster
Laugh Track, The National's tenth album, released on September 18, 2023! 9.4
Music, Our Take, ReviewsOctober 4, 2023<October 4, 2023

Our Take: The National Go Back to the Well with the Soul-Stirring ‘Laugh Track,’ Their Second LP of 2023

by Beau Hayhoe
Doja Cat © Jacob Webster 7.7
Music, Our Take, ReviewsOctober 4, 2023<October 3, 2023

Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’

by Josh Weiner
Atwood Magazine's Tunes & Tumblers Podcast!
Music, Podcast, Tunes & TumblersOctober 3, 2023<October 3, 2023

Podcast: Tunes & Tumblers’ September Roundtable ft. AI Boyfriends, NFL Fails, & Olivia Rodrigo’s ‘GUTS’ (feat. Madeline Maye)

by Atwood Magazine Staff
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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