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Anime Parallele - Laura Pausini
Columns, Music, Music & CitiesMarch 19, 2024<March 19, 2024

Music & Cities: Laura Pausini’s ‘Anime Parallele’ in Pàdova

by David Buyze
Chenayder © LegitLooks
Columns, Music, Today's SongMarch 18, 2024<March 18, 2024

“For one last time, I’ll be on your mind”: Basking in Chenayder’s Sweet Farewell

by Mitch Mosk
Nathaniel Rateliff & The Night Sweats © Brantley Gutierrez
Concerts, Music, ReviewsMarch 18, 2024<March 18, 2024

Live Review: Ever the Showman, Nathaniel Rateliff Showcases Exactly What Music Is Capable Of

by Oliver Crook
Street Fever © Cdigi_
Interviews, MusicMarch 18, 2024<March 18, 2024

“I can protest however I like”: Idaho’s Street Fever Is All About Disrupting Reality

by Chloe Robinson
Megan Winsor © Lauren Nieves
Music, Music Videos, PremieresMarch 18, 2024<March 18, 2024

Premiere: Megan Winsor’s Soul-Stirring “Sure” Is a Cathartic, Comforting Anthem of Perseverance & Passion

by Mitch Mosk
Ariana Grande 'Eternal Sunshine' © Katia Temkin 8.5
Music, Our Take, ReviewsMarch 18, 2024<March 18, 2024

Our Take: Ariana Grande Stays Bright and Brilliant on ‘Eternal Sunshine,’ Her Intimate & Vulnerable 7th Album

by Josh Weiner
Red Rum Club © Sam Crowston
Columns, Music, Today's SongMarch 17, 2024<March 15, 2024

Today’s Song: Red Rum Club Let Loose on an Exciting & Memorable “Afternoon”

by Jake Fewx
Rebounder "Where Are You Later On, Forever?"
Columns, Music, Today's SongMarch 16, 2024<March 15, 2024

Today’s Song: Rebounder Embrace the Groove on “Where Are You Later On, Forever?”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | March 15, 2024
Columns, Features, Music, Weekly RoundupMarch 15, 2024<March 18, 2024

Atwood Magazine’s Weekly Roundup: March 15, 2024

by Atwood Magazine Staff
Chinwe © Erique Brown
Artist to Watch, Columns, Music, Today's SongMarch 15, 2024<March 15, 2024

“Will you be around when I come down?”: The Intoxicating Allure of East London’s Chinwe

by Mitch Mosk
Solange © Max Hirschberger
Essays, MusicMarch 15, 2024<March 15, 2024

Why the World Needs to Hear New Music from Solange: A Letter from a Tuba Player

by Jake Fewx
Katherine DePaul
Columns, Essays, Women's History MonthMarch 15, 2024<March 19, 2024

“The School of Bread and Roses, Judy Collins”: An Essay by Katherine DePaul for Women’s History Month

by Guest Writer
Been Stellar © Gabe Long
Columns, Music, Today's SongMarch 14, 2024<March 14, 2024

Today’s Song: NYC’s Been Stellar Are Unleashed on “Passing Judgment,” an Unfiltered & Aching Indie Rock Eruption

by Mitch Mosk
Talk Show © Ash Rommelrath
Debut, Features, Interviews, Music, Track-by-TrackMarch 14, 2024<March 14, 2024

Track-by-Track: London’s Talk Show Unpack Their Debut LP ‘Effigy,’ a Darkly Alluring Post-Punk Fever Dream

by Mitch Mosk
Kat Cunning © McCall Olsen
Interviews, MusicMarch 14, 2024<March 19, 2024

Interview: Kat Cunning Looks for the Best in Others with Their Passionate “Heart of Gold”

by Chloe Robinson
Posts pagination
1 … 146 147 148 149 150 … 741

Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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