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Maya J © Ryan West
Features, Interviews, MusicFebruary 27, 2024<February 27, 2024

A Musical Mystic: Maya J Showcases Her Creative Versatility in Latest Single “Chills”

by Lauren Hicks
piggy bank - sly jr
Debut, Interviews, MusicFebruary 26, 2024<February 26, 2024

“Life’s not all bad when I really think”: A Conversation With Sly Jr., Son of Sly

by Mitch Mosk
Linn Koch-Emmery © Rory Cole
Columns, Music, Today's SongFebruary 26, 2024<February 26, 2024

“How in the world can we go on?”: Trauma, Grief, & the Raw Ache of Linn Koch-Emmery’s “Ebay Armour”

by Mitch Mosk
Speedrun © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 26, 2024<February 26, 2024

Love’s Latest News: Brooklyn’s Speedrun Debuts With a Nostalgic, Introspective, & Electric Indie Rock Reverie

by Mitch Mosk
Kota the Friend "Alabama Hills" © 2024
Columns, Music, Today's SongFebruary 24, 2024<February 24, 2024

Today’s Song: Kota the Friend Leaves No Room for Greed on “Alabama Hills”

by Aidan Mega
Atwood Magazine's Weekly Roundup | February 23, 2024
Columns, Features, Music, Weekly RoundupFebruary 23, 2024<March 15, 2024

Atwood Magazine’s Weekly Roundup: February 23, 2024

by Atwood Magazine Staff
Kareen Lomax © Daniel Wooden
Columns, Music, Today's SongFebruary 23, 2024<February 23, 2024

“My whole life is the proof, live the life that I choose”: Kareen Lomax’s “Remedy” Is an Alt-R&B Self-Love Anthem

by Mitch Mosk
Hana Eid 'I Exist Because You Say So' © 2024
Debut, Features, Interviews, Music, Track-by-TrackFebruary 23, 2024<February 23, 2024

“The whole point, to me, is to make somebody feel seen”: Hana Eid Exposes Life’s Cracks on ‘I Exist Because You Say So,’ Her Gut-Wrenching Coming-of-Age Debut

by Mitch Mosk
TEE "getaway" © Tamiym Cader
Artist to Watch, Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

“Hold your ground before it swallows you whole”: UK Artist-to-Watch TEE Is Unpacking Emotion, One Song at a Time

by Mitch Mosk
Allie X © Marcus Cooper
Features, Interviews, MusicFebruary 23, 2024<February 23, 2024

Feature: The Return, Rebirth, and Resurrection of Allie X

by Marissa DeLeon
flor's Zach Grace (vocals, guitar), Dylan Bauld (bass), and Kyle Hill (drums) © Paige MacDonald
Columns, Music, Today's SongFebruary 22, 2024<February 22, 2024

“How did you get my world to spin again?”: flor Shine on “Same Color as the Sun,” a Radiant Anthem of Love & Light

by Mitch Mosk
dba James © Alec Ilstrup
Concerts, Essays, MusicFebruary 22, 2024<February 23, 2024

dba James Is Doing Business As Usual

by Noah Berghammer
He's in love: Jelani Aryeh © Silken Weinberg
Features, Interviews, MusicFebruary 22, 2024<February 22, 2024

“It’s always gonna be a natural process”: Jelani Aryeh on Growing With the Music

by Sofia Sar
Clara Pople & Chase Woods
EssaysFebruary 22, 2024<February 22, 2024

Emerging Talent Scholarships on Offer from Charmfactory

by Guest Writer
Runnner © India Coombs
Features, Interviews, MusicFebruary 21, 2024<February 21, 2024

When Words Fail: A Conversation with Runnner

by Nasim Elyasi
Posts pagination
1 … 149 150 151 152 153 … 741

Brand New

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

:: discover something new ::

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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