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Maiah Wynne's "Drive Me Mad" music video still
Music, PremieresSeptember 21, 2023<September 21, 2023

Premiere: Maiah Wynne’s Smile-Inducing “Drive Me Mad” Is a Ray of Folk-Pop Sunshine

by Mitch Mosk
Didirri is 'Caught in the Act' © Ian Laidlaw
Debut, Features, Interviews, MusicSeptember 20, 2023<March 2, 2025

Interview: Didirri’s ‘Caught in the Act’ Is a Debut Full of Feeling, Healing, Intimacy & Intent

by Mitch Mosk
Brett Newski in Hamburg © Sebastian Madej
Columns, Music, Today's SongSeptember 20, 2023<September 20, 2023

Today’s Song: NEWSKI’s Slacker Anthem “This Love Is a Fluke” Is a Wayward Ode to Self-Loathing & Loitering

by Mitch Mosk
Natalie Wilson © 2023
Debut, Features, Interviews, MusicSeptember 20, 2023<September 20, 2023

Interview: Natalie Wilson Searches for Meaning in Early Adulthood With Debut EP ‘Track Season’

by Miles Campbell
Fell Off - Albert Newton © Ella Hermë
Music, Music Videos, PremieresSeptember 20, 2023<September 21, 2023

Premiere: Albert Newton’s Cinematic & Dreamy “Fell Off” Is a Radiant Reckoning with Change Off Debut Album

by Mitch Mosk
Movements © Anthony Purcella
Features, Interviews, MusicSeptember 20, 2023<September 20, 2023

“It’s noisy, it’s loud, it’s in your face”: How Movements’ Patrick Miranda Tackled Mental Illness, Stayed True to Himself, & Learned to Embrace the ‘RUCKUS!’

by Isabella Le
Tunes & Tumblers x Magnolia Park 2023
Music, Podcast, Tunes & TumblersSeptember 20, 2023<September 20, 2023

Podcast: Tunes & Tumblers Features Magnolia Park and a Passion Eater (ft. Tristan Torres)

by Atwood Magazine Staff
VARLEY © Paul Hepper
Artist to Watch, Columns, Music, Today's SongSeptember 19, 2023<September 19, 2023

Artist to Watch: VARLEY Spiral Out in “Hate Myself (So Much Sometimes),” a Seductive Anthem of Inner Reckoning

by Mitch Mosk
The Brook & The Bluff © Noah Tidmore
Features, Interviews, MusicSeptember 19, 2023<September 30, 2023

Interview: The Brook & The Bluff Chase Melancholic Joy on ‘Bluebeard,’ a Soulful, Swashbuckling Triumph

by Mitch Mosk
Telescreens © Matt Weinberger
Concerts, Editorials, MusicSeptember 19, 2023<February 10, 2025

“Rock n’ Roll Lives in New York City”

by Noah Berghammer
somebody in hell loves you - Sydney Sprague
Music, ReviewsSeptember 19, 2023<September 19, 2023

Sydney Sprague Navigates Interpersonal Connections & the Anxieties of the Human Condition on ‘somebody in hell loves you’

by Kevin Krein
Phosphene © Jeffrey Placencia
Features, Interviews, Music, Track-by-TrackSeptember 18, 2023<September 19, 2023

“A technicolor hug”: Phosphene ‘Transmute’ Pain into Human Connection on Kaleidoscopic Third LP

by Mitch Mosk
Problématique - Kim Petras 6
Music, Our Take, ReviewsSeptember 18, 2023<September 20, 2023

Our Take: Kim Petras’ ‘Problématique’ Is a Self-Aware Fan Favorite Finally Released

by Julia Dzurillay
Frankie Bird © 2023
Music, PremieresSeptember 18, 2023<March 2, 2025

“Now I know to just go with the flow”: Frankie Bird Finds Herself Anew in “Float,” a Song of Renewal, Surrender, & Self-Love

by Mitch Mosk
Mitski © Ebru Yildiz
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023

Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature

by Sofia Sar
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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